Imigrantes judeus / Escritores brasilieros: O componente judaico na literatura brasiliera.
Lindstrom, Naomi
Regina Igel. Rubens Ricupero, pref. Sao Paulo. Perspectiva /
Associacao Universitaria de Cultura Judaica / Banco Safra. 1997. 260
pages. ISBN 85-2730129-6.
An abundance of information, much of which would be very difficult to
find elsewhere, is the great strength of Regina Igel's new book on
Brazilian Jewish writing. For the wide-ranging survey Imigrantes judeus
/ Escritores brasileiros, she has assembled an impressive archive of
works by Brazilian Jewish writers, ranging from the internationally
known Moacyr Scliar to obscure and difficult-to-trace figures. Igel has
taken on an especially difficult task in researching Jewish writing from
Brazil's 330-year colonial period, when the Sephardic presence was
often sizable but Jewish expression was suppressed. Here she finds three
figures whose works, upon examination, turn out to harbor covert Jewish
elements. One of these, Ambrosio F. Brandao, is so elusive that his date
and place of birth and death remain unknown, and his work was only
published in 1930. From the colonial period, Imigrantes goes to the turn
of the century, when mostly Ashkenazic immigrants came to Brazil. The
experiences of these settlers would later provide raw material for
retrospective writings.
While the early parts of Imigrantes proceed chronologically, with
considerable historical background, later sections are organized around
thematic concerns. Igel includes a discussion of urban Jewish writing, a
survey of literary treatments of acculturation and assimilation, a
chapter on the themes of marginality and Zionism, and a section on
Holocaust memoirs from Brazil. The texts studied all have visible Jewish
content. The book deals primarily with Jewish writers, although, in the
course of her all-inclusive survey, Igel notes briefly some
Jewish-themed works by non-Jewish writers.
Inevitably, Imigrantes judeus will be compared to Nelson H.
Vieira's Jewish Voices in Brazilian Literature: A Prophetic
Discourse of Alterity (1995; see WLT 70:4, p. 942). Despite being the
two books available on Brazilian Jewish writing, these works are not
very similar. Vieira's Jewish Voices is essentially a book-length
compilation of three lengthy interpretive essays on three well-known
writers (Scliar, Clarice Lispector, and Samuel Rawet), all recent.
Vieira draws considerably on late-twentieth-century literary theory; he
makes bold general assertions and is unafraid to venture into
speculation. Igel packs so much information into her book, covering so
many authors and works and giving so much historical background, that
little room is left for her to theorize or advance broad
generalizations. While Vieira pursues a well-hidden Jewish trace in
Clarice Lispector, Igel focuses on writers who thematize their Jewish
background.
Imigrantes judeus will likely become an indispensable reference work
for anyone researching Brazilian Jewish writers. Any reissue or new
edition of the book would benefit from the inclusion of an index and a
bibliography.
Naomi Lindstrom University of Texas, Austin