The Sistine Chapel: A Biblical Tour.
Worcester, Thomas
The Sistine Chapel: A Biblical Tour. By Christine M. Panyard. New
York: Paulist, 2013. Pp. xii + 96. $19.95.
A kind of reference work, this lavishly illustrated book will be
useful to anyone wanting to know who the many biblical figures are that
Michelangelo painted on the Sistine chapel ceiling, and how the ceiling
works not only as art but also as theology. The author, a professor of
psychology at the University of Detroit Mercy, writes as one who,
relatively late in life, was awe-struck and remains so by the
achievement of a Renaissance sculptor who protested that he was not a
painter but nevertheless accepted the Sistine commission and outshone
the outstanding painters of his day. Panyard shows how
Michelangelo's ceiling frescoes demonstrate both knowledge of what
Christians call the Old Testament, as well as real familiarity with the
works of Dante and Savonarola. She also highlights the theocentric
nature of the ceiling and its "completely new image of God"
(19), an image that set aside medieval depictions of God as the unmoved
mover, as a monarch reigning effortlessly over the universe. Instead,
Michelangelo painted a God of movement and action, a God who soars
through the sky and who works "with great energy to create the
world" (19). But with salvation as his main theme, Michelangelo
also emphasized the prophets who in various ways foretold or foresaw, or
somehow foreshadowed, the coming of Christ the Savior--prophets such as
Isaiah, Daniel, Ezekiel, Joel, Jonah, Zechariah, and Jeremiah. P. states
that the depiction of Zechariah is a kind of portrait of Pope Julius II,
Michelangelo's patron; the portrayal of Jeremiah as deep in
thought, with one arm on a knee, may have influenced Rodin's
sculpture of a thinker.
Michelangelo painted the Sistine ceiling from 1508 to 1512; though
P. includes a kind of postscript on the Last Judgment, painted
1536-1541, Michelangelo's vision of the afterlife merits more than
an afterthought. Still, this small book offers a very helpful window
onto how and why what is likely the world's most famous ceiling
continues to command our attention.
DOI: 10.1177/0040563914548659
Thomas Worcester, S.J.
College of the Holy Cross, Worcester, MA