文章基本信息

标题：Milan.
作者：Bryan-Wilson, Julia
期刊名称：Artforum International
印刷版ISSN：1086-7058
出版年度：2015
期号：January
语种：English
出版社：Artforum International Magazine, Inc.
摘要：HANGARBICOCCA * April 9-August 23 * Curated by Vicente Todoli Over the past decade, high-profile exhibitions in major venues, including Tate Modern, London, and the M useo Nacional Centro de Arte Reina Sofia, Madrid, have kept Spanish artist Juan Munoz on the radar. His oeuvre has aged unevenly: The figurative work now appears somewhat overwrought, while the ambiguous architectural pieces have retained their currency. Though Munoz's significance may lie in how he "returned the human figure to contemporary sculpture" (as suggested by HangarBicocca's press materials), it is valuable to reconsider other facets of his practice. All the better, then, that this exhibition--the artist's first retrospective in Italy--promises an in-depth examination of his multimedia oeuvre. The show will include some twenty works (that together feature more than ISO sculptures) dating from 1986 until Munoz's death in 2001, alongside several events that will foreground the artist's more allusive, nonfigurative works in sound.
关键词：Sculpture

Milan.

Bryan-Wilson, Julia

JUAN MUNOZ

HANGARBICOCCA * April 9-August 23 * Curated by Vicente Todoli Over the past decade, high-profile exhibitions in major venues, including Tate Modern, London, and the M useo Nacional Centro de Arte Reina Sofia, Madrid, have kept Spanish artist Juan Munoz on the radar. His oeuvre has aged unevenly: The figurative work now appears somewhat overwrought, while the ambiguous architectural pieces have retained their currency. Though Munoz's significance may lie in how he "returned the human figure to contemporary sculpture" (as suggested by HangarBicocca's press materials), it is valuable to reconsider other facets of his practice. All the better, then, that this exhibition--the artist's first retrospective in Italy--promises an in-depth examination of his multimedia oeuvre. The show will include some twenty works (that together feature more than ISO sculptures) dating from 1986 until Munoz's death in 2001, alongside several events that will foreground the artist's more allusive, nonfigurative works in sound.