CLOUD STUDIES Painting is with me but another word for feeling. --John Constable 1. Every day to speak only in the language of weather-- strange immersion school, abandoning your earthly vernacular for the operatic vowels and stage-whispered accents of atmosphere-- with the result that these turbulent studies line the gallery walls almost two hundred years later, our most common topic treasured like jewels. Each oil-skied specimen's sheltered under glass like some glorious rare moth spreading the quelled haste of its wings, bluish whites and unpolished silvers, gray tingeing to the yellow of wet clay. And many bearing the date of execution--12 August 1822, say, the samples collected from outdoor air, light-effects brined in a salt-thick stasis. Something so homely in preserving clouds, canning this commotion, to show all this is what we are, water vapor and dust compounded into a geological amplitude, momentary coasts forming, fragmenting, the feelings we've had and voiced or kept quiet going off who knows where. 2. What can I do but what he did, set down these notes as the slightest approximation of their subject: 27 August 1822, no sky except clouds, clamshell- toned, balled up and tossed away like the rags he used to wipe his hands, his brushes. 6 September 1822, thunderheads mottled as overhead ocean, the paper's edges so chipped and worn the study looks like the tatter of a robe woven from an explosion. These forecasts are framed relics of all that escapes matter, just residues made of ground-up earth and essential oils--sweat-painted face staining Veronica's veil, resurrected body x-rayed into a shroud--articles of faith he forged, fabricated light, inlay of air. 3. 31 September 1822, alchemized date refined from time's rough metals, as these clouds' quicksilver performance of soot particles and ice crystals lingers here, daubs and smudges starring into this space like illuminated letters in thick Latin pages. Small windows, shimmering as words will light with what lies behind, as the term he coined for this singular activity, writing, I have done a good deal of skying. Verb without object, or subject really (try saying, I sky); just another way to say we are the place boundlessness zeroes in for a held breath: it raises itself above me and I sky.
Cloud Studies.
Sullivan, Mark
CLOUD STUDIES
Painting is with me but another word for feeling.
--John Constable
1.
Every day to speak only
in the language of weather--
strange immersion school,
abandoning your earthly
vernacular for the operatic
vowels and stage-whispered
accents of atmosphere--
with the result that
these turbulent studies line
the gallery walls almost
two hundred years later, our
most common topic
treasured like jewels. Each
oil-skied specimen's
sheltered under glass like
some glorious rare moth
spreading the quelled haste
of its wings, bluish
whites and unpolished
silvers, gray tingeing to
the yellow of wet clay.
And many bearing the date
of execution--12 August
1822, say, the samples
collected from outdoor
air, light-effects brined
in a salt-thick stasis.
Something so homely
in preserving clouds, canning
this commotion, to
show all this is what we
are, water vapor and
dust compounded into
a geological amplitude,
momentary coasts forming,
fragmenting, the feelings
we've had and voiced
or kept quiet going off
who knows where.
2.
What can I do
but what he did,
set down these notes
as the slightest
approximation of their
subject: 27 August
1822, no sky except
clouds, clamshell-
toned, balled up
and tossed away like
the rags he used to wipe
his hands, his brushes.
6 September 1822,
thunderheads mottled
as overhead ocean,
the paper's edges so
chipped and worn the study
looks like the tatter
of a robe woven from
an explosion. These
forecasts are framed relics
of all that escapes
matter, just residues
made of ground-up
earth and essential
oils--sweat-painted
face staining
Veronica's veil, resurrected
body x-rayed into
a shroud--articles
of faith he forged,
fabricated light, inlay of air.
3.
31 September 1822,
alchemized date
refined from time's
rough metals, as these clouds'
quicksilver performance
of soot particles
and ice crystals
lingers here, daubs
and smudges starring
into this space like
illuminated letters
in thick Latin pages.
Small windows, shimmering
as words will light
with what lies behind,
as the term he coined
for this singular
activity, writing, I have
done a good deal
of skying. Verb without
object, or subject
really (try saying,
I sky); just another
way to say we are
the place boundlessness
zeroes in
for a held
breath: it raises
itself above me
and I sky.