摘要：This article discourse about the hybrid images in contemporaneity. It establishes a relation among “Le fabuleux destin d’Amélie Poulain” movie images used by graffiti artists in Curitiba. It has recourse to semiotics, parody and the invention and simulation process such as pop art collage, the relation between the street graffiti, photography and cinema, as well as its relation with the worldview and politics. The image hybridism and the appropriation of new languages points to a new synergy between the archaic and the technological.
关键词：“Le fabuleux destin d’Amélie Poulain”;street graffiti;cinema;hybrid images.;Comunicação;Cinema;Fotografia;Arte pop
