摘要：The article analyses the book Philosophy of the black box: essays on a future philosophy of photography by Vilém Flusser, and how it can be approximated to the French strand of the movement called Discourse Analysis. The possibility of this approach is supported by the very thought of Flusser, in that it considers the discourse and dialogue “phase of the communication process while photographic manipulation of information”. (FLUSSER, 2002, p.46).
