ghost chorus wailing deep. Ancient minor keys disturb sandy craters, echoing polyphonic, multihued yet voiceless melancholy only the wind hears. Wind, spirit, ephemeral oracle, reciting clever verse, confusing mortals, dispensing ambiguous beliefs. ghost chorus eruption, swirls, creating mute ancient plaza, solitary occupant; black man sipping Brazilian santos to salute the dawn. unanticipated tableaux, strikes awe. Chatter drowns chorus, onlookers miss petroglyphs, stoic maize sowers, undulating lodge poles, bulls cavort like cartographic satyrs, sunflowers in their hair praying for rain. Soak-sunned black man absorbs warm adobe reflections trying to ingest, decipher ghost chorus arias. name that unfamiliar ethereal tune. shake unoffending dust from trail broken hiking boots, ignore noisy tourist promenade, anazazi grit mingles red Masai dirt, glance back at mechanisms poised to record tumbleweed quartet crossing the savannah, what am I doing here? Winds howling, chorus singing, black man basking in open air venues older than calcified desert bones. Conjure imaginary ancient urban processions like unknown soldiers marking the solstice. ram's horn flutes, bone trumpets, skin drums like cacophony drowning angry santa ana's whistling persistence, marchers, feathered finery like narcotized, lurid, induced dreams spangle across arid, dun-colored stage. was this place ever green? Anasazi heard, calculated, various shades, tonal audibles of brown, much like appreciating contemporary Michigan winter greys, nonnatives seldom discern the subtleties. ghost chorus roils, wailing, vibrating, deep within cold unoccupied soil awakens solitary black man's soul. Can, will communication with ancestors disappeared, but not gone, be possible? Snakes, Gila monsters, revered symbols, burrow chambers, like intoxicated Kiva supplicants, needing, seeking refuge. Ever-present Sun's tongue like blast furnace bellows driving them deeper, hopefully, closer to departed spirits. Lone black man shifts baseball cap, adjusts psyche to hear ancestral music. Petroglyphs, totemic sand, chanting singing the mystery. Symbolic testimony, like ghost chorus a cappella meditations ringing down ancient corridors, serenading previous occupiers enshrined for us to see, claim affinity with, but never understand. solitary black man melds comfortably with silent warm adobe walls, burnished sun splashed face pondering the universe, in an empty coffee cup.
Black Chaco Canyon Revery.
Reed, Harry A.
ghost chorus wailing deep. Ancient minor keys disturb sandy craters, echoing polyphonic, multihued yet voiceless melancholy only the wind hears. Wind, spirit, ephemeral oracle, reciting clever verse, confusing mortals, dispensing ambiguous beliefs. ghost chorus eruption, swirls, creating mute ancient plaza, solitary occupant; black man sipping Brazilian santos to salute the dawn. unanticipated tableaux, strikes awe. Chatter drowns chorus, onlookers miss petroglyphs, stoic maize sowers, undulating lodge poles, bulls cavort like cartographic satyrs, sunflowers in their hair praying for rain. Soak-sunned black man absorbs warm adobe reflections trying to ingest, decipher ghost chorus arias. name that unfamiliar ethereal tune. shake unoffending dust from trail broken hiking boots, ignore noisy tourist promenade, anazazi grit mingles red Masai dirt, glance back at mechanisms poised to record tumbleweed quartet crossing the savannah, what am I doing here? Winds howling, chorus singing, black man basking in open air venues older than calcified desert bones. Conjure imaginary ancient urban processions like unknown soldiers marking the solstice. ram's horn flutes, bone trumpets, skin drums like cacophony drowning angry santa ana's whistling persistence, marchers, feathered finery like narcotized, lurid, induced dreams spangle across arid, dun-colored stage. was this place ever green? Anasazi heard, calculated, various shades, tonal audibles of brown, much like appreciating contemporary Michigan winter greys, nonnatives seldom discern the subtleties. ghost chorus roils, wailing, vibrating, deep within cold unoccupied soil awakens solitary black man's soul. Can, will communication with ancestors disappeared, but not gone, be possible? Snakes, Gila monsters, revered symbols, burrow chambers, like intoxicated Kiva supplicants, needing, seeking refuge. Ever-present Sun's tongue like blast furnace bellows driving them deeper, hopefully, closer to departed spirits. Lone black man shifts baseball cap, adjusts psyche to hear ancestral music. Petroglyphs, totemic sand, chanting singing the mystery. Symbolic testimony, like ghost chorus a cappella meditations ringing down ancient corridors, serenading previous occupiers enshrined for us to see, claim affinity with, but never understand. solitary black man melds comfortably with silent warm adobe walls, burnished sun splashed face pondering the universe, in an empty coffee cup.