摘要：This work analyses the photograph of 8 ½, a movie of Federico Fellini, and relates it with the imaginary and oneiric universe of the director. It investigates how the construction of light, made by the director of photography, Gianni Di Venanzo – together with the plans, compositions, framings and assembly of the movie – explores the possibilities of the expression of the oneiric, causing in the spectator the sensation of ambiguity between reality and dream.
