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  • 标题:Casa Susanna.
  • 作者:Capozzola, Christopher
  • 期刊名称:The Gay & Lesbian Review Worldwide
  • 印刷版ISSN:1532-1118
  • 出版年度:2006
  • 期号:January
  • 语种:English
  • 出版社:Gay & Lesbian Review, Inc.
  • 摘要:Edited by Michel Hurst and Robert Swope, powerHouseBooks. 156 pages, $29.95
  • 关键词:Books

Casa Susanna.


Capozzola, Christopher


Casa Susanna

Edited by Michel Hurst and Robert Swope, powerHouseBooks. 156 pages, $29.95

Sometimes, when libraries catalogue books about everyday life, they use the notation "Homes and Haunts." I can't think of a better way to categorize Casa Susanna, a fascinating photographic record of a transvestite community that gathered in the Catskill Mountains town of Hunter, New York, in the 1950's and early 60's, and a book that manages to be homey and haunting at the same time. The photographs, which Robert Swope recently uncovered at a flea market in New York City, are both familiar and strange. Some are predictable drag shots: as the residents of Casa Susanna camp for the camera, readers might agree with Swope that "these initial images, while amusing, basically bored me." But what's brilliant about the ladies of Casa Susanna is how they turned the mundane into the magnificent. Many of the photographs are, at first glance, indistinguishable from the fading mid-century snapshots that fill American attics: family dinners, slightly tipsy parties, the gathering in the kitchen of women of a certain age. They have a delicious kitsch appeal--plastic slipcovers and artificial Christmas trees, rhinestone glasses and scratchy nylon hose. There is a homey-ness here, one that was, as Swope points out, "a studied illusion." Casa Susanna testifies to the enduring spirit of the people who gathered there against the odds, and reminds us that there was far more going on before Stonewall than we tend to think, even if much of it took place behind closed doors. Peeking into their world forty years ago is thrilling, but also a little disconcerting: without their full history, without the captions that would turn these photographs into living history, the world of Casa Susanna remains just out of reach, haunting us with the silence of snapshots discarded in flea market bins.
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