出版社：Sección Departamental de Biblioteconomía y Documentación
摘要：There are diverse studies on the adjustments of the literature to the cinema and vice versa, on the theory of these adjustments, on movies or concrete books that have happened for this process, but the correspondents are not very abundant to a writer in concretly. In this case we try to analyze Houellebecq's position as author of novels that have happened for the process of adjustment to the great screen and his results. The hypothesis that raises this work establishes that the fact that Michel Houellebecq does not intervene in the process of adjustment of his own novels it favors the obtaining of an autonomous films that reflects the axiology of the author. The conclusion is the confirmation of our hypothesis: when Houellebecq has not intervened in the process of adjustment of his novels an autonomous films have been obtained without stopping transmitting to the spectator the own axiology of the French author.
