期刊名称：Nómadas. Revista Crítica de Ciencias Sociales y Jurídicas
印刷版ISSN：1578-6730
出版年度：2010
卷号：27
期号：3
页码：185-193
语种：Spanish
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：The North American performer Ron Athey experiments on his work with the limits of the corporal pain on relation with the whole iconography and religious tradition. This combination of ideas had already been used previously, in someone of its components, by other authors belonging to groups as the Viennese Actionism, but also by Gina Pane, Marina Abramovic, Chris Burden o Franko B. The body, support of the artistic practice and, in this case, of the pain, is the link with the audience, way to organize actions of ritual and countersexual trends, which hide a strong critique to the order in art and society.
关键词：Ron Athey ;Performance ;Contemporary art ;Body in art ;Body art ;Ron Athey ;Performance ;Arte contemporáneo ;Rito en el arte ;Cuerpo en el arte ;Body art
