Feeling at home: the everyday life of a non-discipline, or how to celebrate daily routines of a society.
Sanchez-Carretero, Cristina
Usually, the response section of a journal is dedicated to one
article. It allows the author of the response to compare and contrast
the research presented with the latest investigations in that field; to
find problematic aspects that need to be pointed out; or to suggest
alternatives and possible extensions. The narrative genre of a
"response" often tries to turn the text upside down while
ending in a lament and a critique. The task asked of me in this case is
quite different because my response has to cover four different articles
with one common focal point: they are all lectures delivered at the 2014
SIEF 50th jubilee hosted by the University of Amsterdam. Reviewing these
four articles is not a simple task, as they provide neither a comparable
analytical perspective nor a unifying thematic relation to each other.
Does it mean that these "outside-the-box," creative
contributions lack coherence? On the contrary, this collection makes
sense, and I felt very much "at home" while reading them. As
ethnographers know, the moments of feeling that "this really makes
sense" are crucial in order to understand the structuring logics of
our societies. In this particular case, the four articles make sense
because of the feeling of belonging that they provide: the emotional and
narrative consolidation of a dislocated place called SIEF.
My response presents an emotional approach to the assemblage and
entanglement of the ethnological, folkloristic, and anthropological
perspectives presented in these articles. I completely agree with the
introduction of the volume that the problem is no longer about defining
ethnology and folklore--and I would add that neither is it about
defining anthropological studies of the vernacular expressive culture,
cultural studies, heritage studies, ethnomusicology, cultural history,
or ethnographic approaches to cultural geography, among many others.
There is room for all of us, regardless of whether we consider folklore
and ethnology one or two disciplines, whether we consider them
disciplines at all, or whether we consider them
"non-disciplines." As explained by Valdimar Hafstein and Peter
Jan Margry in the introduction, there are key concerns which have stayed
with SIEF over the years and which prove to be resilient. I will take
this idea further: SIEF has maintained these concerns because it is the
academic-professional home that many of us have chosen.
I will expand on the concept of "home" presented by Orvar
Lofgren in response to the articles while developing the idea of SIEF as
an academic home. According to Lofgren "home is a site of
negotiation, with constant wheeling and dealing, trying to make
different priorities and interests co-habit" (Lofgren, this issue,
p. 93). I am writing my response as I navigate through the repertoire of
emotions that the articles triggered in my affective self. I read all
the articles with great pleasure, relating to them and immersing myself
in them--an "ethnological sensation" that, I admit, is getting
more and more difficult to obtain from a collection of articles.
Probably, they had this effect on me because the articles do not try to
follow the rules of academic writing, or maybe because of the
"outside the box thinking" that they convey. In a sense, if
they came out of the box, I have come out of the closet, emotionally
speaking.
Sometimes the texts brought a smile to my face, because I related
personally to them, for instance when Orvar Lofgren focuses on how
people cope with "too much" in their daily lives; an excellent
illustration of the type of research ethnologists do. My smile turned
into a giggle when he describes the decorative empty white ceramic bowl
on a coffee table, "there it is, simple, beautiful, and above all
seductively empty. All of a sudden there is an empty matchbox in it,
next to a couple of coins. The ice has been broken, and through a magic
force, new objects are attracted: a cellphone charger, an old lottery
ticket, an unpaid electricity bill, and some used batteries. Step by
step a mountain is growing on the table, until one day someone gives the
living room a searching look: 'We can't have all this
mess!'" (Lofgren, this issue, p. 84). Lofgren offers the
reader a fresh prose that establishes emotional links with research
about daily-life practices. This article provides one of the most
important arguments to prove the homelike quality of SIEF: the type of
articles produced by SIEFians. Reading Lofgren I can recognize a sense
of belonging in this type of empirical detailed research on daily-life.
A different type of smile is provoked by Konrad Kostlin and his
insightful and ironic analysis of anniversaries. Kostlin questions the
self-evident nature of anniversaries and criticizes the obsessive cult
of remembrance linked to consumerism. As he explains, "the circle
of life has been replaced by a linear metaphor" (Kostlin, this
issue, p. 14) producing a decimalism in the conception of time. A
problematic mythical beginning was established in 1964 for SIEF, and it
initiates time measurement, "as a chronometry based on a secular,
but seemingly also sacred, decimalism" (Kostlin, this issue, p.
14). The jubilee performance that took place in Amsterdam in September
2014 was, of course, an occasion to celebrate and guarantee the
continuity and the consistency of SIEF. A good ending for Kostlin's
article would be a narrative piece in which the Mad Hatter from
Alice's Adventures in Wonderland sings "Happy
un-anniversary" to SIEF to celebrate every year that is not an
anniversary. Kostlin's article shows another angle of SIEF: its
members' reflective tone and open-minded ability to accept
criticism.
In addition to the smiles triggered by the above-mentioned
articles, I reacted with empathy to the ideas presented by Jasna Capo. I
read the straightforward meta-narrative style of Capo with a feeling of
relief. Her subjects of study are scholars and she deals with one of the
most difficult questions SIEF needs to handle: its relationship with
anthropology and the discipline(s) power structure. Jasna Capo focuses
on the tensions between Central-Eastern Europe (CEE)
ethnologists/anthropologists and Western, mainly British-style
anthropology to critically analyse the patronizing attitudes towards CEE
scholarship. Words such as "stereotyping,"
"patronising," "orientalising/exoticising,"
"neglecting," "nativising," and
"colonizing" are some of the terms which CEE scholars use to
describe Western perceptions towards them. CEE ethnologists/
anthropologists found that their studies were thought of as
"native/indigenous" ethnographies, as data rather than as
scientific analyses, and themselves as informants rather than as
colleagues. Jasna Capo's article shows that the rationale behind
the division of disciplines is linked to reasons outside the disciplines
themselves. In addition, it shows that SIEF provides a home for many
scholars regardless of the discussions about disciplinary limits. I feel
at home with Capo's uneasy reading of the state of the disciplines
and her attempt to counteract the hegemonic academic power. I also feel
at home with the need to think transnationally.
Finally, the emotions triggered by Bjarne Rogan's article are
different in terms of their quality and intensity. I relate very deeply
to the issue of how to handle the term "folklore": on the one
hand I was trained in a department dedicated to the study of folklore in
the USA and I fully understand the need of folklore studies; on the
other hand, I am from a country where the term folklore has been largely
abandoned and is often perceived as a term that describes an
old-fashioned, non-academic and amateurish approach. The first time I
encountered a discussion about the "F-word" was at the 1996
AFS annual meeting in Pittsburg. Regina Bendix and Dan Ben-Amos were
part of a heated debate--I might say a battle--in a plenary called
"What's in a name?" Both came to be my professors, and
back then I really did not fully grasp the emotions that the term
folklore was capable of raising. Years later, in 2001, I witnessed a
similar discussion in Budapest related to a proposal for a SIEF name
change.
Former SIEF president Regina Bendix, various SIEF board members and
individual members, have requested for over a decade that the society
change its name. SIEF itself has a long history of name changes. In
1928-29 it included "arts populaires" or "folk art"
in its name: "la Commission des Arts Populaires" (CIAP). In
1936 the term "traditions" was added, resulting in "la
Commission des Arts et Traditions Populaires," and in the late
1930s the name "European Ethnology" was proposed for the whole
field of study. In the 1950s the name "European Ethnology" was
proposed once again. In 1964, as analyzed in detail by Bjarne Rogan,
there was a heated debate concerning the issue and the name
"Societe Internationale d'Ethnologie et de Folklore"
(SIEF) was adopted. Since then, the name issue has been brought to the
foreground on several occasions by presidents and in general assemblies,
such as in 2001 in Budapest. At the 2011 SIEF conference in Lisbon,
Bjarne Rogan gave a plenary lecture in which he touched on the need to
decide on the name as a commitment for the future of the association.
That suggestion was also included in Ullrich Kockel's presidential
address. Some of us wanted to raise the question in Lisbon at the
General Assembly from the ground and the president responded by
commissioning the board to prepare a proposal for an on-line ballot on
this issue. According to SIEF president Ullrich Kockel, "ever since
I joined SIEF, I have been aware of the tension this issue has created
on occasion, and therefore, realizing the importance of bringing the
matter to a conclusion that can be 'owned' by our members,
whatever their preferred approach and traditional context, I suggested
that an appropriate set of proposals, based on wide-ranging consultation
with the membership" (Kockel, SIEF Newsletter 10/2012 (1), 5). As a
member of the SIEF board, I coordinated the working group to prepare the
ballot (see SIEF Newsletter 10/2012 (1), 2012, which includes the
working group documents).
In the end, the ballot did not take place and the issue is still
open. If the ballot does take place, I don't know if I would vote
for a name change as there are many good reasons to keep the name SIEF,
but I think that having an online ballot on the topic is a good way to
deal with this open discussion that has gone on for too long. Bjarne
Rogan's dichotomous analysis presented in his article is a sign of
the ongoing debate. I do not agree with the metaphor of losing and
winning battles that Rogan presents in his piece because it fossilizes
the relationship between those folklorists that participated in the 1964
General Assembly and Sigurd Erixon's position regarding European
Ethnology. The differences between them cannot be so neatly established
and the stress on "losing a war" only reinforces these
differences, while SIEF now faces new concerns. The "F-Word"
in the society's name used to be a cause of heated debate, but now
it doesn't seem to provoke strong emotional responses. Precisely
because of the serenity of the debate, it is time to ask membership for
their opinion.
However, I feel uncomfortable promoting a name change for SIEF
because I think that trying to reach a consensus about the various
definitions of ethnology, folklore and other disciplines is not a
productive issue. I prefer to ask why it is that many researchers,
academics and professionals feel at home in SIEF. SIEF represents the
arena where creative approaches and experimental styles can be brought
together and combined--why not?--with old-fashioned approaches in an
integrative manner; a place where innovative and traditional scholars
observe the vernacular, daily-life, heritage, tourism, expressive
culture, and many other interests. In a sense, paraphrasing Orvar
Lofgren, SIEF develops strategies to cope with "too much" in
relation to daily life.
SIEF is facing--has faced--and is creating--has already
created--the conditions to enter an exciting moment: a place called home
for many of us who are not interested in boxing up and constructing
fences around how to define a discipline. SIEF is not an association
that embraces practitioners of "a" discipline or
"various" disciplines, but a place called home. And a home is
built around those who live in it and their emotional links: its
members, their affective selves, what members do, and what SIEF--as a
society--does. All four articles provoked a lot of smiles, empathy,
uncomfortable questions ... all very good reasons to be part of SIEF.