Josephine Crawley Quinn & Nicholas C. Vella (ed.). The Punic Mediterranean: identities and identification from Phoenician settlement to Roman rule.
Marti-Aguilar, Manuel Alvarez
JOSEPHINE CRAWLEY QUINN & NICHOLAS C. VELLA (ed.). The Punic
Mediterranean: identities and identification from Phoenician settlement
to Roman rule. 2014. xxvii+376 pages, 124 colour and b&w
illustrations, and 4 tables. Cambridge: Cambridge University Press;
978-1-107-05527-8 hardback 80 [pounds sterling].
[ILLUSTRATION OMITTED]
Research on 'Phoenicians' and 'Punics' has
progressed tremendously over the last four decades; it has, however,
been characterised by the use of highly ambiguous ethnic and cultural
labels. The contributors to this volume have assumed the much needed
task of updating knowledge on the Phoenician-Punic world, addressing
questions such as: what does 'Punic' actually mean? How does
it relate to 'Phoenician'? How has Punic identity been
constructed by both ancients and moderns? Was there a 'Punic
world'? And how coherent was Punic culture? Such questions were the
starting point for the conference 'Identifying the Punic
Mediterranean', held at the British School of Rome in 2008, from
which the papers in this volume--with some additional
contributions--derive. The collection, edited by Josephine Crawley Quinn
and Nicholas Vella, is divided into two sections: the first explores
general themes and the second focuses on specific case studies.
In their introduction, the editors present a very useful synthesis,
and challenging discussion, of the various definitions of the term
'Punic', as used by the book's contributors. The first of
these contributions, by Prag, addresses the use of the terms Phoinix and
Poenus in antiquity. He shows how, until the late Republic, these terms
were synonymous and used to define Phoenicians generically, and
therefore bear no relation to the modern meaning of 'Punic',
which signifies a specific relationship to Carthage or to the western
Phoenicians from the sixth century BC onwards. Vella's inspiring
contribution documents the 'invention'--led by Sabatino
Moscati--of the Phoenicians in modern scholarship, and questions the
construction of its artificially homogenous image, articulated through a
systematic decontextualisation of 'Phoenician' objects. Van
Dommelen presents a critical analysis of contemporary images of
'Punic' identity in Tunisia and Sardinia, exposing their
dependency on the 'modern anxieties' of specific groups and
institutions in three particular areas: 'state
representations', 'heritage and tourism' and 'local
representations'.
Bondi defends a basic cultural homogeneity during the
'Phoenician' period, followed, in the subsequent period during
which Carthage was, in his opinion, dominant over the Phoenician
colonies of the western Mediterranean, by a series of diverse
'punicities'. Gomez Bellard, on the other hand, comes to a
different conclusion by reviewing funerary practices amongst Punic
communities. He detects a basic homogeneity in the way the dead were
treated across the Punic world and a common evolution in this ritual
community from the sixth century BC onwards, suggesting "the
existence of a cultural identity that it is possible to call
'Punic'" (p. 75). Similarly, Frey-Kupper's study of
coins and their use in the Punic Mediterranean argues that the
widespread use of standardised types not only facilitated exchange but
also expressed some form of cultural homogeneity--even
'punicity' in some cases.
In the second part of the book, as remarked by the editors, it
seems that "the smaller the scale of the analysis, the larger the
variation that looms" (p. 4). Maraoui Telmini and her colleagues
analyse attitudes towards material culture in Carthage, and identify
internal changes in the urban fabric of the city in the sixth century
BC, coeval with its rise as a power in the central and western
Mediterranean. Ben Younes and Krandel-Ben Younes also address issues of
identities in funerary practices using two case studies: the first,
based on the Libyo-Phoenician area of Byzacium, again stresses the
"multiple characters in which punicity developed in varying ways
across time and space" (p. 157), while the second case study, on
the 'Numidian' Tell, shows a strong Libyan component.
Quinn brilliantly challenges stereotypes of 'purely
Greek' vs 'purely Punic' myths. She convincingly proposes
a Carthaginian origin for the tradition relating to the Altars of the
Philaeni, which were supposedly erected over the place where two
Carthaginians, the Philaeni brothers, chose to be buried alive at the
conclusion of a competition to establish the border between the
territories of Carthage and Cyrene. She contextualises the development
of this tradition in the early second century BC, as a partial response
to the nascent negative Greco-Roman stereotypes of Carthaginians. Based
on pottery data, Bridoux studies connections between Numidia and the
'Punic world', understood as a "cultural and commercial
koine" (p. 200), with its centre at Carthage and characterised by a
common material culture with a high degree of regional variation. Papi
reviews the archaeological evidence from pre-Roman Morocco, seriously
questioning the existence of a 'Punic Mauritania'. Although
acknowledging relationships between the Punic sphere and the local
elites, he rejects the possibility of a Carthaginian military occupation
and the foundation of colonies in the area.
Jimenez offers a fine synthesis on the complex issue of the
so-called 'Libyphoenician' coins of southern Iberia. As with
Bridoux, she also identifies different versions of 'Punic'
culture, depending on local factors, but also a layer of regional
identity in connection with North African communities. She defends
hybridism as the key factor in the process of "constructing Punic
identities after Punic times" (p. 242). Aranegui and
Vives-Ferrandiz use coastal settlements of southeastern Iberia as case
studies to analyse the fluid Iberian and Punic relations, which were
dominated by "cultural flows within spaces of interaction" (p.
256). Roppa questions the traditional image of 'Punic
Sardinia' and reiterates a double reality: the variability of local
identities, developed from their interaction with the landscape and
their vernacular roots, and the island's integration into a network
led by Carthage, which acted more as its articulator than an
imperialistic power with a colonial agenda. Bonnet reviews the seminal
ideas of Fergus Millar on the Hellenisation of Phoenicia, emphasising
the plurality of responses before and after Alexander. Taking the
Phoenician communities as a reference, she stresses the need for a new
conceptual framework to understand Hellenisation, dealing with
"strategy and negotiation, social fluidity and cultural
creativity" (p. 297).
In the afterword, Wallace-Hadrill provides a good summary of the
ideas developed in the book, concluding that "we must settle for
diverse Punic identities, not a single identity" (p. 303), while
stressing the value of networks as a concept to understand their
interactions.
The issues raised in the editors' introduction find some very
productive answers through the various papers of this volume. If Moscati
'invented' the Phoenicians (and Punics) in the second half of
the twentieth century, the work coordinated by Quinn and Vella
contributes brilliantly to the deconstruction and reformulation of
'Punic' (and 'Phoenician') identities through
concepts--heterogeneity, connectivity, fluidity, negotiation, local
agency and hybridism--that better fit the twenty-first century.
MANUEL ALVAREZ MARTI-AGUILAR
Department of Historical Sciences
University of Malaga, Spain
(Email: m_alvarez@uma.es)
doi: 10.15184/aqy.2015.161