Rock-art image in Fern Cave, Lava Beds National Monument, California: not the AD 1054 (Crab Nebula) supernova.
Armitage, R.A. ; Hyman, M. ; Southon, J. 等
On 4 July AD 1054 a supernova brighter than Venus appeared in the
sky, remaining visible for approximately 23 days and 650 nights. It was
chronicled in five independent historic accounts, four from China and
one from Japan (Duyvenduk 1942). Hubble (1928) suggested that the Crab
Nebula is a result of the AD 1054 event, a view generally accepted
(Clark & Stephenson 1977). For at least 40 years investigators have
attributed certain distinctive rock paintings and carvings in the
western United States as recordings of the AD 1054 supernova. More than
20 such depictions (circle or star-like symbols and a crescent) have
been located (Brandt & Williamson 1979). In particular, two panels
of rock paintings in Lava Beds National Monument, California
[ILLUSTRATION FOR FIGURE 1 OMITTED], one at Fern Cave and one at Symbol
Bridge, were listed as recording the AD 1054 supernova. Brandt et al.
(1975: 52), noting that the orientation of the moon and supernova are
not correct in the Fern Cave rock painting, concluded that 'errors
in recording the orientation of the crescent moon are common'. The
only direct means of assessing the likelihood that a
'supernova' representation records the AD 1054 event is to
date the rock painting or carving. In our laboratory at Texas A&M
University, we developed a plasma-chemical extraction technique that
permits analysis of 14C in rock paintings, whether the pigments used
were charcoal or inorganic iron- and manganese- oxides and hydroxides
with organic binder/vehicles (Ilger et al. 1996). This paper presents
direct 14C age estimates on rock paintings that have been suggested to
represent the AD 1054 supernova. The AMS 14C analysis on each sample
using our plasma-chemical extraction technique shows that these images
do not represent the AD 1054 supernova.
Experimental procedure
We took charcoal pigment samples from three figures in proximity at
Fern Cave: a crescent pointing downward and two near-by circles, one
above and one below the crescent [ILLUSTRATION FOR FIGURE 2 OMITTED].
Small amounts of charcoal were scraped from the crescent and two circles
individually. Rubber gloves were worn to avoid contamination during
sampling and all subsequent handling. Each charcoal sample was placed on
aluminium foil, wrapped, and sealed in a plastic bag. The motif was
photographed before and after sample collection. Damage incurred to the
three paintings was so small that it was difficult to determine by
visual inspection where the sample was removed.
The samples were treated with 1 M NaOH and sonicated at 50 [degrees]
C, a standard procedure used to remove possible humic and fulvic acids
that might contaminate the charcoal to be analysed for 14C. Humic and
fulvic acids are brownish-yellow in NaOH. It took 8-10 one-hour
treatments with NaOH before the solutions appeared clear; we then did
three additional extractions to ensure complete removal of the humic and
fulvic acid components. Neutralization of the NaOH solutions with 1 M
HCl produced no humic acid precipitate; thus the brownish colour was
likely due to fulvic acids. The NaOH-treated charcoal samples were then
rinsed with doubly distilled, de-ionised water, filtered and dried; they
were then ready for plasma-chemical extraction of the organic carbon for
14C analysis.
In preparation for the extraction, we use radio-frequency generated,
low-temperature ([less than]175 [degrees]) oxygen plasmas to remove
organic material as C[O.sub.2] from the empty reaction chamber. Argon
plasmas are used on the sample after its insertion into the chamber to
remove adsorbed C[O.sub.2] from the system. Finally, oxygen plasmas are
utilized on the paint sample to convert the organic carbon to
C[O.sub.2], leaving the substrate rock and accretion carbonates and
oxalates intact. This organic carbon is then analysed by AMS.
Experimental details, reported in our previous paper (Ilger et al.
1996), are not repeated here. Since the introduction of our
plasma-chemical technique in 1990, we have demonstrated its validity on
numerous samples of known 14C content: charcoal (two dated previously by
Beta Analytic, Inc. and one dated previously at the University of Texas
Radiocarbon Laboratory), Third International Radiocarbon Intercomparison
wood and African Ostrich shell (dated at the University of Arizona).
Satisfactory agreement was observed in all cases. Our analyses of
14C-free samples - Albertite, IAEA wood and Axel Heiberg wood -
demonstrated that our technique does not add significantly to the modern
carbon background of the AMS. The following have also been studied and
do not affect our ability to estimate the age of rock paintings by 14C
analysis: argon and oxygen sources; mass fractionation; calcium
carbonate, magnesium carbonate, limestone, and calcium oxalate
decompositions. The 14C determinations we obtained on rock paintings
from France, Montana, Texas and Utah are consistent with the age ranges
expected from archaeological inference.
We used oxygen plasmas coupled with high vacuum techniques to remove
organic carbon from the charcoal paint of each Fern Cave sample: the two
circles and a crescent shown in FIGURE 2. The C[O.sub.2] produced was
collected by freezing in a liquid-nitrogen cooled glass-finger.
Radiocarbon contents of the samples were measured at the Center for
Accelerator Mass Spectrometry of the Lawrence Livermore National
Laboratory.
Results and discussion
Radiocarbon determinations and calibrated calendar dates are shown in
TABLE 1 (Stuiver & Reimer 1993). Attempts to verify the validity of
rock paintings as representations of the AD 1054 supernova are limited
by the nature and uncertainty of the radiocarbon calibration curve in
the critical area. The 14C determination that most closely corresponds
to the calendar [TABULAR DATA FOR TABLE 1 OMITTED] date AD 1054 is 938
14C years before present (b.p.). FIGURE 3 illustrates that 938 years
b.p. lies within the [+ or -]1[Sigma] uncertainty band of the
calibration curve for calibrated ages from AD 1030-1160. Even if one
could measure the 14C content with perfect accuracy and infinite
precision, it would not be possible to limit the calendar age of a rock
painting painted in AD 1054 to better than this 130-year range: there is
no way to determine which is the 'true' date. Nonetheless,
analysing 14C from the rock paintings directly is the only way to affirm
or deny that they are consistent with their assignment as representing
the AD 1054 supernova. A 14C content consistent with AD 1054 does not
prove that a depiction is of the supernova; 14C determinations not
consistent with AD 1054 (within experimental uncertainty) effectively
rule out an image as recording the supernova.
For the Fern Cave samples, the lower circle, calibrated at AD
1020-1290 ([+ or -]2[Sigma] range) is distinctly older than both the
upper circle, at AD 1490-1955, and the crescent, at AD 1440-1670.
Radiocarbon determinations on the upper circle and crescent are not
significantly different from one another; they may have been painted
contemporaneously. Both features date from several centuries after the
AD 1054 supernova. There were no discernible differences in terms of
colour or other visual features between the three figures studied here.
The 14C contents of the three figures of the painted panel demonstrate
conclusively that it does not represent the AD 1054 supernova.
Acknowledgements. Partial support for this work was supplied by the
Charles A. and Anne Morrow Lindbergh Foundation and the National Center
for Preservation Technology and Training. Discussion with Dr Paula
Reimer concerning the calibration of radiocarbon dates was helpful. One
of us (RAA) holds a Graduate Assistantship in Areas of National Need
from the US Department of Education. We appreciate the cooperation of
the following at the Lava Beds National Monument: Craig W. Dorman; Gary
Hathaway; Michelle Moore; Chris Roundtree; and Kim Strassburg. Lawrence
Livermore National Laboratory is funded by the US Department of Energy
under Contract W-7405-Eng-48.
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