Anna Harriet Heyer died 12 August 2002 in Fort Worth, Texas, shortly before her 93d birthday. (Notes for Notes).
Martin, Morris
Anna Harriet Heyer died 12 August 2002 in Fort Worth, Texas,
shortly before her 93d birthday. She came to Denton at the invitation of
Wilfrid C. Ban in the fail of 1940 to create the music library at what
is now the University of North Texas. Having received the finest
education and training available, both in music and in library science
(B.M. in piano and B.A. in mathematics, Texas Christian University; B.S.
in library science, University of Illinois; M.S. in library service,
Columbia University; M.M. in musicology, University of Michigan), she
was uniquely equipped for the task. The next summer she also started
teaching a course in music librarianship which continues to be offered
every other year.
Dynamic and single-minded, strict but unfailingly polite to her
fellow workers (even to administrators whose instructions she was
sometimes unlikely to carry out), she was also a person who enjoyed life
to the fullest, both inside and outside the profession. She was always
willing to take advice from those she respected: on collection
development, bibliographic projects, teaching, and even cataloging.
She was charmingly naive about the importance of what she did. Even
when her book Historical Sets, Collected Editions, and Monuments of
Music (3d ed., Chicago: American Library Association, 1980), almost
immediately better known as "Heyer," appeared in its various
editions through the years, she found it difficult to think of it or
herself as "important." She saw the book as a job that needed
doing, so she proceeded to do it. This is an admirable quality seldom
seen today.
When she retired from North Texas in 1965, she went back home to
Fort Worth to become a "consultant" in music library materials
at Texas Christian University. What she did there was catalog another
few thousand items and run the music library for fourteen years. She
always enjoyed traveling, and during her "retirement" took
many trips, often to music libraries. She leaves behind an extraordinary
legacy of librarians and collections, good friends and good times, and
the indispensable book.
She is remembered by a host of friends who enjoyed countless social
events and concerts, meals and cocktail parties, study groups and
professional meetings, and limitless conversations with her. Many of us
were fortunate enough to receive the immaculately produced needlework Christmas cards she worked on, in her systematic way, for two years at a
time in order to get enough done in the time allotted.
During the last years of her life she remained incredibly active
and optimistic. Even with a lingering serious ankle injury, she enjoyed
visits away from her house, going to concerts and club activities,
keeping up with the profession and its personalities, always remembering
to ask about people and their families, and being proud of the
activities of the library she created. She also left us the example of a
professional life lived to the fullest.
During her last visit here (to see Dean Bain for the first time in
fifty years), she spent the entire day (nearly sixteen hours) learning
about all the current reference, acquisition, and cataloging practices
and tools of the trade, being absolutely rejuvenated by them. By
midafternoon, the cane was in my office and there was no notice of any
physical impairment. By the time we got back to Fort Worth at midnight,
we almost forgot the cane because it was in the backseat.
I will remember her as I first met her in 1961, because she was the
same then as she was when she left us and, I suspect, when she came here
in 1940.