Reply.
Mimica, Jadran
I am grateful to all the respondents for their comments some of
which, most notably Hirsch's, substantially elaborate on, and
extend, from their respective positions, the issues addressed in my
piece.
Rather than engaging each commentary individually in these closing
remarks, I refer to select points in order to sketch some of the more
significant ramifications of my critique, which aims to sustain the
possibility for a genuinely critical inquiry into Melanesian realities
and their ethnographic renditions.
First a clarifying remark on the archetypal
'All-seeing-Eye' configuration and its problematics.
Irrespective of whether such a representation may or may not be present
in any particular life-world, every human self and collective is subject
to the self-structuration qua gaze, regardless of whether one is
congenitally blind or not. The phenomenon of 'gaze' and its
correlate 'mirroring' are not restricted to the ocular-optic
register; they pertain to the totality of bodily-intersensory
envelopment and primary psychic activity, specifically projection and
introjection. It will suffice to refer to Sartre, Winnicott, Lacan,
Schilder, Merleau-Ponty, and in respect of animal life-worlds, to von
Uexkull and Portmann. As Hirsch concurs, the concrete what and how of
the dynamics of the gaze is an ethnographic (empirical) problem. I hold
to the view that only further elucidation of the actual dynamics of
human 'surveillance', the associated character and physiognomy
of actual 'disciplinary practices', and of the Ipili
experience of the sun as a living subjective presence, can advance our
understanding of the sun as 'All-seeing-Eye' in that context.
It is from this standpoint that we should claim significance for
phenomenology; Biersack ends her comments by saying that '[t]he
trick is to choose the right philosopher or philosophers and the right
vocabulary. For me, it is phenomenology rather than Foucault that
beckons'. I share her affirmation of phenomenology but not without
losing sight of the need to constructively bracket any theoretical
framework in order to understand the phenomena from within the internal
horizons of spatio-temporal self-constitution, intelligibility and
opacity. The requirements of bracketing are not simply matters of fit
(Biersack) or nuance (Knauft) and I remain of the view that they are not
marginal to contemporary Melanesian ethnography (Knauft) but at the core
of its supposed problems.
This leads directly to the question of 'Melanesian
modernity' which assumed a prominent position in the responses. Why
restrict the academic talk of modernity to 'capitalism and
money' (Jacka) or 'civilising pastoral forms of policing'
(Lattas) as the sole salient figures of the Melanesian appetites,
desires and moral orientations titillated and shaped--as they are by the
'global', world-historical envelopment of their present
existence? The world-horizon of 'modern identities' and
development scenarios entertained by many past and present day Papua New
Guineans has a much longer history than academic discourses of
globalization and modernity conditioned as they are by the upsurge of
post-modern self-consciousness of epochal change. More to the point,
there was and there is a greater spectrum of aspirations derived from
the global geopolitical menu, notwithstanding the predominance of
neoliberal globalizing 'capitalism'. Nevertheless, what any of
these Western (or African and Islamic) derived world-historical
figurations are, capitalism and socialism included, in the context of
PNG life-worlds--what they are as the vehicles of the indigenous
self-understandings, self-interpretations, local practices and
actualities of the enveloping geopolitical world-horizon, and what new
activities they may motivate in any local (or international) context
requires critical ethnographic elucidation. On this account I reaffirm
my experience that in all the years of frequenting PNG, with a focus on
the Yagwoia life-world, I also as a matter of course researched the
vicissitudes of senis, divelopmen, taim bilong senis, that have been
taking place ever since the gavman (originally colonial) established
itself in their abode. And I also have had numerous encounters and
relations with Papua Niuginians, many among them way outside of the
Yagwoia realm. They range from marginal individuals and zx-raskols
(organised criminal gangs) in towns (mostly Moresby, Lae and Goroka) to
the 'ordinary modern' as well as those well 'educated and
... exposed to modern ways of living' in conformance with the
'modern national laws', to quote Jacka quoting Justice Inja.
In all these years none of these people articulated him/herself by
characterising their situation as their 'modernity' although
both they and I used all the lingual registers that Lattas and Jacka
listed above, as well as a whole range of derogatory and exhortatory
characterisations from both Tok Pisin and Tok Pies (specifically
Yagwoia), including 'kanaka' (bush yokel, primitive) and
'wailman' (wild man, savage). I am not surprised that
Jacka's research assistant told him that the Porgerans were not
'very much clear about modernity'. But precisely as such it
would be important to know what he thought about it.
My point is that 'modernity' as it came to figure in the
current academic discourses, is their bone fide product whose purpose,
to quote one of Jacka's authorities on the authenticity of
Melanesian modernity as a 'native category', is to satisfy
'postmodernist scholars (who) have successfully challenged the
Eurocentric notion of a singular western modernity' (Bashkow
2006:10). In this perspective, the academic 'multiple
modernities' of the postmodern discourses seem to me to function
primarily as a way of making their proponents comfortable with the
global consequences and realities of the civilising/modernising/
development project, historically conceived, implemented, supplemented
and redeveloped by the practitioners of the modern Weltanschauung (Rist
2008). And it cannot be any other way since it is a singular desire of
modern self-consciousness to ceaselessly keep on modernizing itself and
others, always on the way to be beyond whatever hitherto it might be, so
long as it is moving on.
To sum it up: change originating historically with Western
colonial-civilizing mission/ modernization/development has been going
around the planet for quite a while irrespective of multiple
theorisations and critical re/evaluations of these processes (well
surveyed by Rist op cit). However the resulting planetary
social-cultural forms of humanity do not need, for that reason, to be
rendered as the manifestation of 'local modernities'. By the
same token, regardless of how they regard themselves, modern or of any
other ilk, in terms of my orientation, all humans are coeval although I
don't assume that other people take me as such within their
umwelten and purviews. On the other hand, the bracketing of my own
world-historical-epochal sense of being is part of my vocational bildung
and practice which intensifies with every new bout of fieldwork.
Going back to the Papua Niuginian contexts of self-understandings
and epochal self-projections and interpretations, their predicaments
have to be understood in terms of their own self-syntheses, discursive
and non-discursive, totalising or otherwise, independent as they are of
the motivations which dictate academic constructions. From this
perspective, the intelligibility of the multiple articulations (see also
Hirsch) of the local conditions of the indigenous pasts qua the ongoing
present and into the future, within the envelopment of the
world-historical geopolitical dynamics, are freed from the supposedly
well-intended yet unduly distorting and questionable constructions
emanating from the predominantly Anglophone academic fishbowls. Under
the guise of self-decentring and self-critical relation to their
Western/Euro-centric cultural-historical matrix, these constructions
turn others into multiple refractions of their own temporal existence
deemed as either officially correct or no-longer-so, ergo
morally-politically compromising. Correlatively it is not just that
Melanesian modernity (one or multiple matters but little) has emerged as
the bone fide indigenous reality. The region itself, hitherto known as
Melanesia, is a wholly colonial and modern construct (authored by the
French aristocrat Dumont d'Urville). Given that it is a product of
Eurocentric modernist epistemic perceptions and interests, some
corrective application surely is in order. In the light of this kind of
problematisation of the traditional approaches to area-based ethnography
the region has been reassessed as an object of the 'Post-Melanesian
Studies' (Knauft 1999). The critique of this enterprise, however, I
leave for another occasion.
I hope that all respondents may discern in the above at least some
statements that more directly pertain to their individual comments and
the positions from within which they think and write. Within the limits
of this reply I can only make a few final remarks focussed on
Hirsch's comments, which make up a paper in themselves. I take
advantage of the thematic self-unity and expository completeness of
Hirsch's response, which both complements mine and reveals our
differences. To a lesser degree this is also true of the comments by
Lattas who is singularly invested in Foucault's work. Hirsch's
position, being quite impartial to Foucault, is an autonomous one
although he relates it to Marilyn Strathern's ideas developed in
her Gender of the Gift and on that basis he proceeds to discuss the
problematic of the use of Foucault via carefully chosen ethnographic
examples. In terms of the social institutions they explore (e.g.,
hospital administration and prisons in PNG, created during the colonial
period which also created the PNG nation-state) these seemingly lend
themselves more straightforwardly to interpretations that can readily
draw on Foucault's studies. In this way he makes the case for the
'bottom-up' approach which can more cogently control the
chosen interpretive framework rather than it taking over and thus unduly
turning a given human life-world into a vehicle for Foucault's
dramaturgy. In this respect I would like to point out that in his own
writings Foucault himself tends to fall prey to his own dramaturgy. The
way I see it, reflection on this dimension of his work allows one to get
a better critical perspective on Foucault as both a historian and a
philosopher. Furthermore, the last phase of his work, dealing not with
modernity but with the world of Classical antiquity, is even more driven
by his inner motivation, i.e., Foucault's own self-image as a
philosopher who 'thinks differently' and practices parrhesia
(fearless speech; Foucault 2001).
My critique of Foucault-dramaturgy is not intended as a rejection
of Foucault's works. However, this body of thought would be far
better served in the context of ethnographically grounded
anthropological theorising if his works were thought through in relation
to Foucault as a philosopher situated in his cultural-historical
philosophical tradition and if one tried to become familiar with the
trajectory of Western civilizational transformations as an ethnographer
willing to behold them on a presupposition that the purview ought to
correspond, at least to a degree, to the authentic native human
strivings, desires and generative intellectual forms that had produced
these human life-worlds.
DOI: 10.1002/ocea.5041
ACKNOWLEDGMENTS
I am grateful to Ute Eickelkamp and Neil Maclean for their
excellent editorial suggestions and their masterful scissor-work which
gave my reply the optimal short length while retaining all the essential
points necessary for this sort of exchange. For any shortcomings I am
entirely responsible.
REFERENCES
BASHKOW, I. 2006. The Meaning of Whitemen. Chicago: The University
of Chicago Press.
FOUCAULT, M. 2001. Fearless Speech, (edited by J. Pearson). New
York: Semiotext(e).
KNAUFT, B. 1999. Post-Melanesian Studies? A Contemporary Look at
the Anthropology of Melanesia. Chapter 5 in his From Primitive to
Postcolonial in Melanesian Anthropology. Ann Arbor: The University of
Michigan Press.
RIST, G. (1997) 2008. The History of Development: From Western
Origins to Global Faith. 3rd ed. London: Zed Books.
Jadran Mimica
University of Sydney