Representing the Rainbow: Aboriginal culture in an interconnected world.
Merlan, Francesca
Abstract: Stories known and told by Aboriginal peoples as
recollections of their past experiences are increasingly being brought
into the framework of recent, intensified efforts to recognise and
validate Aboriginal culture by collections of narrative and other
materials intended for a wider recipient public. This is illustrated by
an example of a story about a place, part of a personal and shared store
of such stories, which as told locally had retained a situatedness and
openness to regular reformulation deriving from its embeddedness in
everyday life. Gradually, however, such stories are becoming part of a
repertoire of representations being produced as authoritative and
illustrative for a wider recipient public, in this case in the broader
context of the shift of land tenures and management schemes in remote
areas and parklands. In this new context, formulated to communicate to
an outside, non-participant observer, such stories are typically
invested with a new character representative of
Indigenous/non-Indigenous `difference', and beyond the
producers' reach and capacity to adjust them. The process involved
illustrates some of the tensions between forms of validation and the
opening of spaces to new forms of inequality. In this picture, the
desires of Indigenous Australians to have stories and histories recorded
must be kept in mind.
Keywords: stories, orality/literacy, practice, heritage,
objectification, public culture
The last 25 years in Australia have been characterised by
`culturalism' (Kahn 1995), that is, by moves to recognise, validate
and also to domesticate (Hage 1993) forms of cultural difference
associated with subnational collectivities. Australia has developed a
view of itself as `multicultural', celebrating the cultural forms
of expression of its various immigrant communities. And since about
1970, many liberal-thinking individuals and social institutions have
abandoned the view, predominant through the first half of the century,
that Australia's Indigenous peoples would necessarily assimilate
into the Australian `mainstream', and have assumed instead that
they should be assisted to maintain their cultural distinctiveness, as
well as to improve their living conditions, through a politics of
`self-determination'. This recent quarter-century has seen the
growth of an Aboriginal land-rights movement (piecemeal, with continuing
debate over national implementation of land-rights measures);(1) the
development of heritage legislation which can be used to protect
Aboriginal as well as other legacies; and an unprecedented declaration
of national parks, the management of which includes the presentation to
the public of Aboriginal perspectives on land, sites and
'natural' heritage.
As recreation areas, parks and tourist developments are created,
Aborigines are often asked to provide information about the character of
places and their Indigenous use. Frequently, too, they are asked what
might be appropriate tourist uses of places. In the demand made upon
Aboriginal peoples to produce information for consumption by others
becomes visible the embeddedness of their representations of places in
situations, occasions, events--in the practical projects of living, and
in the recall of such occasions. There also becomes evident a certain
reluctance on their part to detach representations from that
embeddedness, from what was the living context of the formation and
reformulation of narrative.
Researchers collect information from Aboriginal peoples, much of it
past-oriented, concerning such matters as how they moved about and used
places; whether there is anything special about places that might
restrict use of them; whether there are places where visitors are not
allowed to go; whether there are places where men may go but not women
and children; what rock paintings mean and whether they are more or less
restricted; what sorts of things they may and may not be allowed to do
in places; and so on. Subsequently, the results of such information
gathering are prepared as `interpretative' materials, reduced to
writing and made into displays for presentation to the public. Such
transformations are typically associated with giving to the information
a more fixed and canonical character than it appears to have in
Aboriginal ways of telling about places, which tend to have a
`narrative' rather than a `definitive' character--that is, to
be about what happened at a place, rather than about what the place
`is' essentially. Research endeavours (and perhaps those
particularly focused on special-purpose consultancy issues, as opposed
to those where the researcher becomes a longer-term participant in daily
life) tend to produce a rational-critical focus upon questions about the
properties of places as if these were enduring, rather than subject to
readjustment in the processes of living.
To some extent, all the matters mentioned above concerning the
conditions of use of places and others, are of importance to Aborigines
and may be things they have talked about or decided practically in
determining where to go, how to move about, what to do, and so on. There
may of course be places which they have not visited recently and so do
not have much to say about them, either as human `camp' or enduring
`country' imbued with Dreaming (see Myers 1986 for this dual
character of places). But my concern is not so much here with disused
places, as with ones that remain fairly well known but concerning which
Aboriginal persons do not generally make abstract, defining statements
about their significance.
People can tell stories about such places and talk about what they
know of their own and others' use of them over time. Such stories
may strongly suggest what Aborigines think is right and wrong to do
there, or what is likely to happen there. They may be prepared to
specify conditions of tourist visitation. But they may not give
essentialising formulations about the place and may resist questions
which seem to try to wrest such formulations from them. In many cases,
it is unclear in any event whether Aboriginal persons would apply to
outsiders their own former standards of use of a place. When they say
something less than definitive about places, or when they appear to
change what they say, they may be criticised for their lack of certainty
or their readiness to change their story. But one might instead see the
lack of definitiveness as part of a tradition of the ongoing
determination of meanings in practice, and a disinclination to
articulate meanings detached from the practical projects and occasions
which have typically been the moments for continuing confirmation and
reformulation of meaning. The substantial embeddedness of oral tradition
about places in the practical projects of being there, and recalling
those events, amounts to a suppleness of tradition which allows and
presupposes continuous reformulation of meanings.
Gunlom is a large Arnhem plunge-pool, now within Stage Three of
Kakadu National Park in the Northern Territory. Like all deep Arnhem
rock-pools, Gunlom is associated with Bolung, Rainbow Serpent. People
say that when they were foot-walking around these areas, they were
careful because of the Rainbow in the deep part of the water. They did
not camp at the rock-pool but some distance away, on the nearby South
Alligator River. From the early 1950s, however, there was uranium
exploration and some mining in this area, and a great deal of use of the
pool for swimming by outsiders. In fact, in 1975 Gunlom was incorporated
as a recreation reserve, and since 1987 has been part of Kakadu National
Park.
Although the shallow water is not thought to be too dangerous, many
older Aborigines, especially, say that a Rainbow Serpent lives in the
deeper part of the pool into which a waterfall drops seasonally from the
high cliffs above. When you ask them if there is still a Rainbow in the
water today, as I and others have done, you may get any answer from
`yes' to `maybe' to `I don't know', to the idea that
the Rainbow may have been killed or driven out by the increased usage of
the area. This kind of decontextualised or abstract question, which aims
to produce a definitive answer, in fact may produce a variety of
answers. Yet on occasions when I have been camped there, I have known
people to attribute unusual gusty storms to the Rainbow's anger at
such extensive use of the place. This kind of occasion is very likely to
be taken as confirmation of the Rainbow's presence, obviating any
question about whether the creature `is' or `is not' there. I
suspect it is largely through this kind of occasion that the traditions
about the Rainbow have been most strongly reproduced. When there are no
such manifestations which suggest or indicate the Rainbow's
presence, Aborigines may suggest that tourist use has helped to
`quieten' or settle the Rainbow, which is thought to be a dangerous
and destructive force. There is a feeling that outsiders can settle and
deplete the power of the Rainbow, who may, however, react with special
force to the presence of unknown Aboriginal persons. Here and elsewhere,
occasional tourist drownings are attributed to the Rainbow Serpent, and
often cause Aboriginal people to shake their heads and say that
outsiders do not know or understand the country or take care the way
they should.
So the existence of the Rainbow can be confirmed in a number of
different ways and through various kinds of occasions. It can be seen as
`settled down' due to repeated visitation by outsiders, or as being
angered by human visitation and use of the area. Aborigines who tell
about previous events tend not to moralise. Their attitude is that, as
with all complex processes and events, only time and the unfolding of
other events will show the significance of what happened or maybe reveal
alternative interpretations or shed another light on things. There is
not likely to be any rule-like statement forthcoming about use of the
pool, or what will happen, in abstraction from the situations, or the
recalling of situations, in which such meanings are invoked and their
relevance reproduced.
Another example will illustrate what I have called the tendency
towards a `narrative' rather than a `definitive' mode of
representing the significance of places. Edith Falls (or Leliyn, as it
is called) is, by now, a very well-known tourist spot 48 km northwest of
`Katherine. It is a steep-sided plunge-pool, with a seasonal waterfall.
Aborigines used to move across this country, using this place as a main
stopover between Katherine and other major water sources and
destinations on the Katherine River, the South Alligator and the
Ferguson. People who regularly frequented Katherine town would also go
up the escarpment and into the Edith River system where they could be in
the bush and still have a relatively short walking trip into town. Thus,
Leliyn was near to town by Aboriginal standards in the days of
foot-walking and bush life, but fairly far by European standards. It
remained something of an Aboriginal retreat up until World War II.
The war period was a watershed as far as use of this place went.
The massing of troops around Katherine saw much greater use of all such
potential recreation areas than before. This intensification of use by
Whitefellas is memorialised in the stories of those older Aborigines who
moved around this area north of Katherine. During the Katherine Land
Claim, in the 1980s, they told of large bleached bones being found in a
cave at Edith Falls, which they took to be the bones of the Rainbow
Serpent. Now, in the recent period of much-intensified tourism, many
visits to this place have been made and Aboriginal understandings of
this place are much sought after. Questions are asked: `What is the
story of this place?' `Is there any way in which this area is
restricted?' Those who know some details of what Aboriginal persons
say might ask: `Does the story of the finding of the bones mean that the
Rainbow Serpent is dead and gone?'
But my experience is that the way Aborigines themselves talk about
this place--which, as I have explained, has been a bit of a remote spot
and a preserve for them and outsiders alike--emphasises continuing
situational interpretation of what the place is like and whether the
Rainbow exists, rather than any simple statement as to whether it is
alive or dead. Consider the story told by an older Jawoyn man, SB,(2)
about this place a few years ago. The part I give you here features
confrontation between the army and the Rainbow Serpent during the
wartime period:
Well this thing they been go
all the army
they been go down la water
and that diver man him get that glass and put nose
he got hole inside
well that man been go
him find out that thing with a red, one like this sort of
lid
he said him turn back hey I find `im
something there with a red
well three man been go down
get that thing arrow
they said oh go get that
we pick'im up that thing
they get that thing rope underneath the water
and then they said put that thing when you kill'im
hook'im up
they said all right
well anyway
two bloke they been go in inside
get in with a hook
well they said all right we'll hook'im up
take this fella outside
you know he been try that rainbol
now that bulldozer been pull'im grader
bulldozer and grader
they said come on keep pull'im
nother three bloke been stand'in up with a rifle
well they said all right
we get it now
keep pull'im all the way
all the way him head been come out
try get'im that lot people
now they shot'im with a rifle
they said go on pull'im outside
pull'im break'im
him like that buffalo rib-bone
yeah all right we got it now
and next minute they said all right
another canoe they said ah just leave'im
they said all right we leave'im here
next minute when they come back they see'im layin
down
that nother bloke been layin down there inside
might be him wife or him husband
well this rainbol come along
nighttime
he took that dead body
... that nother one of him mate
he took his body take'im inside
... soon as one Chinaman oh one army been get killed
there
that thing rainbol been kill'im
what he been swim around there la water
now that two rainbol been talk about we kill this man
they been kill'im drowned'im
one trousers and one shirt been layin down there
they been try waitin for him how long that man come
out
they said all right
that man gone all right
rainbol been kill'im
rainbol him been kill'im im
anyway they been get out front there
and camp now big rain been come
big storm
just forget about, go away from this place
nother way we might get killed
well you know they all went away
that rainbol he never been dead
gerrung wal-joyinay
because that nother one
him wake'im up from that hole Edith Falls
well that man he said all right you can't find'im
that dead body been layin' down there
but that body he been go in la water
that's the way he been kill'im every people
that story he been say all right
we'll have to get out from this place
nother way all the army gone
they been all go way now
all the army been gone
any more been stop there they gotta get killed
they sposeta get killed that mob people
Standard English line-by-line gloss:
Well, this story, they went
all the soldiers
they went down to the water
and the diver got a mask and put it on
there was a hole [under water]
well, that man went
he found something red, like this sort of lid(3)
he said, it's turned back, hey, I've found something
something red
well, three men went down
with that arrow kind of thing [spear-gun]
they said, Oh go get it
we'll get that thing
they got the thing [with a] rope underneath the water
and they said, put that thing in, when you hit [spear] it
hook it up
they said, all right
well, anyway,
two fellows went in [the cave]
got in with a hook device
they said, OK, we'll hook it up
take this creature outside
you know, they tried with that Rainbow
a bulldozer and grader pulled on it
bulldozer and grader
they said, come on, keep on pulling
another three men were standing up with a rifle
well they said, OK
we'll get it now
keep on pulling it right out
all the way, its head came out
that bunch of people tried to get it
then they shot at it with a rifle
they said, go on, pull it out
pull it, break it
it was like buffalo rib-bones [large in size]
yeah, OK, we got it now
and then they said, OK
another boat [`canoe'], they said, oh, just leave it
they said, OK, we'll leave it [the Rainbow body] here
and then when they came back they saw it lying down
another one was lying down there inside [the water]
maybe its mate
well, a Rainbow came along
in the night
and took that dead [Rainbow] body
... another one of its mates
it took its body down underneath
... a Chinese person, oh, soldier got killed there
the Rainbow killed it
what it did, it swam around there in the water
and then the two Rainbows discussed it, We'll kill this
guy
they killed him, drowned him
a pair of trousers and a shirt were lying down there
they [others] waited to see how long before the man
would come out [of the water]
they said, all right
that man's really gone
the Rainbow's killed him
the Rainbow's the one that killed him
anyhow, they got out of there
and camped, a big rain came up
a big storm
[let's] just forget it, go away from here
otherwise we might get killed
so, you know, they all went away
that Rainbow had not died
it hadn't died
because the other one
was waked up from its pool at Edith Falls
well, the man said, OK, you can't find it
its dead body was lying down there
but the body went into the water
that's the way it [Rainbow] gets everybody
so the story goes, he said, OK
we'll have to get out of here
so all the army left
they all went away
the whole army went
if any had stayed they would've been killed
they were meant to be killed [if they had stayed]
SB's first story describes the attempt to cage the Rainbow and
pull it out. People see something red in the water--an indication of the
special nature of the creature. But they pull it out anyhow and leave
the body. Another comes along in the night and it returns to the water.
The next episodes involve the killing of a person, first said to be
Chinese, later an `army' (soldier). Efforts of the army to
eradicate the Rainbow are foiled by its return to the water, and the
presence, unknown to them, of more than one Rainbow. The Rainbows
between themselves plan to kill the `army'. The soldiers are afraid
and decide the best thing is to `bleed out' (go away) and leave the
Rainbow. There is also physical evidence of the Rainbow and its size in
the reference to bones, which are still said to be present near Edith
Falls and `like buffalo rib bones'.
The story seems to tell triumphantly of the army's inability
to kill the Rainbow. Caging it does not work, nor does violent
extraction by `grader and `dozer, because, even after it apparently
dies, it can come back to life. The story features verbs of violent
agency (hook up, pull, shoot, break), a measure of the effort put into
their task by the army. One thing they don't know is that the
Rainbow is multiple--it breeds in the water, and so even the death of
one would not necessarily destroy `it'. The existence of Rainbow
`bones' does not unequivocally spell the death of the creature for,
as Munn (1970) has shown, one of the modes of ancestral transformation
into landscape is the externalisation of parts of the body by Dreaming
beings who may continue to act, create and move.
In this story, the Rainbow is seen as dangerous. Often, it is
described as combining male and female properties. It shows aversion as
a native of place to the foreign sweat and smells of persons it does not
recognise, and it makes a stormy response to intrusions by unknown
persons. It is associated with rock-pools and deep water, and Aborigines
usually say that one should not `bogey' (bathe, swim) in such
water. To do so is to risk making rain clouds form and high winds blow.
The Rainbow may swallow its victims and/or is sometimes depicted as
having put them on its back and carried them to their doom. These ways
of thinking about the Rainbow, and its significance as a native of place
who responds angrily to foreign intrusions, raises issues of certain
kinds for Aborigines, more or less explicitly, when they see outsiders
swimming in these pools and behaving incautiously. `Do these outsiders
have no law?' is one question they sometimes ask as they see
visitors move around in ways that seem to them incautious, even
foolhardy. But others are: `Is there a new law? Are we in new times? How
and to whom does the new law apply: to outsiders or to Aborigines?'
Thus, Aboriginal persons may have to live with considerable
indeterminacy, and I have often seen people swimming in rock-pools,
fishing there, but always with these kinds of ideas in mind, which may
become more or less relevant, depending on events.
SB's story illustrates how what he has to say about the
Rainbow's existence is embedded in narrative, indeed, a narrative
that appears to hark back to some events that took place around the time
of World War II. Such stories as these often suggest the efforts of
outsiders to eradicate the Rainbow and, like SB's, may strongly
suggest that such efforts remain incomplete. But to ask him general
questions like, `Is the Rainbow still there?', I have found, is to
press for a kind of answer which would detach representation from the
practical occasions through which the Rainbow tradition has been
reproduced by him and by other Aborigines.
When people like SB are asked about places like Edith Falls--`What
is the story?', `What may tourists do here?', `Is there any
place they should not go?', or the like--the questioners are
looking for straightforward, definitive and generalisable answers. The
principal object of such questions is to get someone like him to make of
his memories and thoughts a series of remarks or descriptions about the
place which can be displayed as `the' Aboriginal significance of
the place, and extended beyond his capacity to formulate either
exemplary stories or answers to these questions. Such canonical forms of
representation strive for an authority which is independent of the range
of activities within which meanings were and are made and modified.
These are kinds of descriptions framed `for an observer about an object
observed but not participated in'; all such descriptions assume an
observer's stance (Taylor 1985:255). From such a point of view,
remarks and descriptions should be definitive and enable us to be able
to say with clarity what has happened, what the events `mean'; for
example, `Is the Rainbow dead?' and `Is that what its bones
signify?'. SB's story tells of the Rainbow's apparent
death and its revitalisation through the actions of another Rainbow. It
compares and relates the Rainbow to 'buffalo rib bone' but
without ever exactly specifying how that relationship is to be
understood. In these ways, SB's story illustrates something even
more fundamental about Aboriginal `culture' than such epitomes
could. Understanding is a grasping of what things mean and knowing how
to interpret them and how to respond in the course of events, and is not
about giving a definitive representation of them as an independent
reality.
This paper provides some ethnographic perspective on what has been
a longstanding series of debates about the differences between oral and
written traditions. It is reminiscent of Derrida's (1967)
discussion of the tension between views of speech as direct, unmediated truth-telling versus writing as a source of fixity and rational-critical
thought. What has been said here does not support the view of oral
traditions as unmediated truth-telling. Rather, it supports the view
that oral traditions like those considered here necessarily have a
suppleness deriving from their embeddedness in practices which provide
occasions for their regular, even if minute, reformulation. There are
certain aspects of the Rainbow tradition, though, that are clearly more
general `ground', or background, against which the figural quality
of particular real-life and narrated events stands out. These more
general aspects include the association (widely, throughout much of
northern Australia) of the Rainbow Serpent with particular kinds of
topographic features, in particular, deep and dark waterholes, and a set
of ideas about the nature of interaction between people and places that
tends to arouse the Rainbow Serpent to destructive response. Against
this general background, narrative details make sense and allow
Aborigines to presume that storms, clouds and rain may be attributed to
the Rainbow on particular occasions. Thus, for example, in SB's
story of the army and the Rainbows, any question about whether it/they
are alive or dead is to be understood through the narration of events,
rather than through any explicit questioning or articulation of their
condition or presence.
The aspiration of researchers and consultants to establish more
fixed and generalisable understandings about places derives from their
view of aspects of their task as ultimately oriented towards a. wider
recipient public. That public will necessarily have an observer's
stance, and thus an orientation towards representations which are
general and enduring beyond producers' reach and capacity to adjust
them. Researchers who work with Indigenous communities for long periods
also develop an understanding of the potential incongruities between
efforts to produce publicly consumable information and the extent to
which the vitality of tradition depends upon a degree of instability and
constant readjustment of it in living practice. Today, given the
disposition of dominant liberal societies to preserve difference,
ongoing Indigenous association with parks and heritage areas occurs to
some extent within contexts of documentation of them.
NOTES
(1.) The recent land-rights movement has culminated in the High
Court Mabo judgement of 1992, and the passage of the Native Title Act
1993. The former recognised the persistence of `native title' with
respect to a claims case in the Torres Strait; the latter recognises the
possibility that native title may survive elsewhere in Australia and
sets out a complex regime according to which native title claims cases
may be pursued and other interests accommodated. One important effect of
both is to recognise the `justiciability' of native title at the
common law, thus giving it a status relatable to, and within, the
Anglo-Australian system of law and making it potentially tractable within a rationalised regime as defined by the Act.
(2.) Due to his recent death, in order to prevent offence but also
leave a trace of acknowledgement for locals and family, the name of the
narrator has been reduced to initials.
(3.) SB was tapping on the lid of a tin of Log Cabin tobacco, which
is bright orange.
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Francesca Merlan Department of Archaeology and Anthropology, The
Australian National University, Canberra francesca.merlan@anu.edu.au