The Robert Burns Birthplace Museum.
Burke, Alison
Learning is at the heart of the new Robert Burns Birthplace Museum:
how Robert Burns learned, and how students visiting the site learn about
Burns, shape the interpretation of one of Scotland's Collections of
National Significance.
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The museum complex offers schools the opportunity to explore the
works of Burns in three key areas:
* The historic landscape includes the unforgettable locations of
Burns's Tam o' Shanter. Students can experience the ghostly
atmosphere of Alloway's auld and haunted Kirk, where witches and
warlocks danced to the tune of the Devil's pipes, as well as the
auld Brig on which brave Meg pays the price of Tam's licentiousness with her tail.
* The birthplace cottage, where Burns came into this world on the
25th January 1759 amid an unearthly storm, and which Burns forever
associated with the birth of his poetic imagination.
* A new museum building that explores the issues addressed in
Burns's poems, songs and letters. The exhibits and manuscripts,
interpreted in Scots and English, encourage students to form their own
responses to Burns, delve into areas that inspired the poet, and grapple
with the contradictions inherent in his works, actions, and behaviour.
'What's on for schools' has been planned in
consultation with primary and secondary school teachers. Teachers can
choose to come for workshops led by our dedicated and experienced
learning professionals, or for a self-led visit using our specially
composed teacher's notes. Either way, teachers are always welcome
to make a pre-visit inspection of our facilities.
Primary aged children can take part in set workshops in the cottage
and museum that have been planned to meet the learning outcomes of the
school curriculum and use interdisciplinary learning approaches. For
each age group there are two different workshops:
* For early years, Kailyard Capers explores how Burns used the
Scots language in a fun and engaging way, and Tim'rous Beasties
includes a costumed performance of Burns's 'To a Mouse'.
* For ages 6-8, When Burns was a Bairn, looks at the lifestyle of
the Burns family in the mid 18th century, and Auld Lang Syne explores
how Burns's famous song has been celebrated across the world
through the theme of friendship.
* For ages 8-12, Being Burns uses dramatic performances to explore
how Burns learned in a time before compulsory education; and Hot
Potatoes uses interactive technology and debating skills to encourage
students to investigate some of the difficult issues explored in
Burns's poetry.
All of our workshops are supported by post-visit activity packs
that include: lesson plans, activities, student evaluation and teacher
assessment materials which have been written in consultation with
teaching professionals. These packs will be made available to download
from our website in 2011.
For secondary school students, we offer a bespoke workshop planning
service. Teachers of English find a visit to the museum an excellent
support to their classroom studies and workshops are planned to fit with
what is being studied in the classroom. Recent examples include working
with standard grade students in English from Grange Academy studying Tam
o' Shanter for their assessed folio piece and drama students from
Queen Margaret Academy using historic locations to build dramatic
monologues. Students from Grange Academy took part in a workshop that
explored the poem through its narrative structure using story-board
techniques, and Queen Margaret Academy worked with our learning staff to
produce a costumed drama which was performed in the Auld Kirk as part of
our Halloween Fire Festival.
To support teachers in the classroom, we offer Continuous
Professional Development sessions several times a year. These sessions
are delivered by heritage education specialists and offer an insight
into learning methods that can be used in the classroom. Additionally,
we welcome teachers who would like to undertake a placement of one day
to one week. Dawn Halliday (a teacher at Bothwell Primary) recently
completed a three-day placement, with the aim of developing an
interdisciplinary approach to her teachings of Burns. At the end of her
placement, Dawn commented 'You have been a wonderful contact and
you share my enthusiasm and vision. I really do appreciate this tie my
school has with yourself and RBBM.'
All of our workshops take place in either our recently refurbished
Education Pavilion (which includes three teaching rooms and a research
library) or the new museum building (which includes state-of-the-art
gallery and education spaces). Scottish schools can apply for Scottish
Government funding to cover 75% of transport costs.
Dr Alison Burke
Learning manager at the Robert Burns Birthplace Museum