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  • 标题:Working Group on the Creation of a Digital Collections Database.
  • 作者:Justice, Andrew
  • 期刊名称:Fontes Artis Musicae
  • 印刷版ISSN:0015-6191
  • 出版年度:2012
  • 期号:October
  • 语种:English
  • 出版社:International Association of Music Libraries, Archives and Documentation Centres
  • 摘要:With the context of the database being to collect and reflect digitized items which are already in existence and the understanding that the scope will include IAML-affiliated institutions (to cut a wider swath than other projects such as IMSLP, the Sheet Music and Music Treasures consortia, and score-focused platforms such as Peachnote), the primary concern of those in attendance was how to include the many metadata standards represented by different institutions, consortia, and countries, as well as linked data and the question of RDA. Consortia databases were also a major concern, as many European digitized items are part of a consortia and the owning institutions may not have a voice in how the metadata is presented or made available.
  • 关键词:Pressure groups;Special interest groups

Working Group on the Creation of a Digital Collections Database.


Justice, Andrew


The Working Group on the Creation of a Digital Collections Database presented its first year of work in Montreal, which consisted of a beta version of the database. This had been made over the course of the year following the Dublin meeting in conjunction with Paul Buchanan, a doctoral library student at the University of North Texas with considerable professional experience in information technology and software programming. Buchanan's main area of research is music encoding, and he spent several months exploring various methods of metadata harvesting from North American institutions (including MARC, Dublin Core, and various XML permutations). The beta version was presented to those in attendance, with the vast majority of the session being a discussion from many different perspectives.

With the context of the database being to collect and reflect digitized items which are already in existence and the understanding that the scope will include IAML-affiliated institutions (to cut a wider swath than other projects such as IMSLP, the Sheet Music and Music Treasures consortia, and score-focused platforms such as Peachnote), the primary concern of those in attendance was how to include the many metadata standards represented by different institutions, consortia, and countries, as well as linked data and the question of RDA. Consortia databases were also a major concern, as many European digitized items are part of a consortia and the owning institutions may not have a voice in how the metadata is presented or made available.

It was agreed that the best way to proceed would be to identify representatives from Germany, France, Italy, and the United Kingdom for membership on the working group, so that the major European producers of digital content could be consulted and the more pressing issues of metadata harvesting can be explored more fully. Presentation of our work in Vienna will include commentary on the aforementioned issues and an updated plan for moving forward with this project.

Andrew Justice

Chair
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