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  • 标题:Hepp, Andreas. Cultures of Mediatization.
  • 作者:Soukup, Paul A.
  • 期刊名称:Communication Research Trends
  • 印刷版ISSN:0144-4646
  • 出版年度:2015
  • 期号:March
  • 语种:English
  • 出版社:Centre for the Study of Communication and Culture
  • 摘要:Hepp, Andreas. Cultures of Mediatization. (K. Tribe, Trans.) Malden, MA and Cambridge, UK: Polity (2013). Pp. ix, 166. ISBN 978-0-7456-6226-8 (cloth) $64.95; 978-0-7456-6227-5 (paper) $22.95; 978-07456-6349-4 (e-book) $18.99.
  • 关键词:Books

Hepp, Andreas. Cultures of Mediatization.


Soukup, Paul A.


Hepp, Andreas. Cultures of Mediatization. (K. Tribe, Trans.) Malden, MA and Cambridge, UK: Polity (2013). Pp. ix, 166. ISBN 978-0-7456-6226-8 (cloth) $64.95; 978-0-7456-6227-5 (paper) $22.95; 978-07456-6349-4 (e-book) $18.99.

This English translation of Andreas Hepp's German work (originally published in 2011) provides an excellent introduction to and summary of much of the literature on mediatization, including discussion of Hepp's own work. The term, "mediatization," may appear somewhat unfamiliar to U.S. English speakers, though the concept itself runs through much current communication research. Hepp argues that media cultures are many layered and include, at minimum, the concepts of communication, medium, and culture. Since all three interact in complex ways, he seeks to develop a way to study them. He explains, "I would in this book like to show that media cultures are those cultures whose primary resources are mediated by technological means of communication, and in this process are 'molded' in various ways that must be carefully specified. That is the reason why I call them 'cultures of mediatization'" (p. 5). These cultures, which "have increasingly left their mark on our everyday life, our identity, and the way in which we live together" deserve study "because the significance of this transition [to a media culture] is underrated" (p. 1).

Hepp organizes the book straightforwardly. Chapter 2 presents a "via negativa," explaining what media culture is not; Chapter 3, a look at an initial definition of mediatization; Chapter 4, a more in-depth examination of media culture in the light of mediatization; Chapter 5, "how we live in different forms of translocal communities" (p. 6), made possible by mediatization; and Chapter 6, an exploration of methodological approaches to studying such media cultures.

Chapter 2--the negative approach--begins with the direct statement, "media culture is neither a mass culture, nor the culture of a particular dominating medium (either books, TV, or the world-wide web); nor is it a program that integrates us into one society, or a cyberculture that gradually enmeshes us and turns us into cyborgs or cyberpunks" (p. 7). To support this statement, Hepp reviews media studies from the work of the Frankfurt School to the present, examining the work of scholars such as Horkheimer and Adorno; Innis, McLuhan, and Meyrowitz; Beniger and Schmidt; Silver, Rheingold, Gauntlett, and Jenkins. His chapter subheadings provide a quick guide to his thought as to what does not characterize a media culture. At the risk of repetition, the scholars whose work he reviews follow the headings:

* omnipresent, but not a mass culture (Horkheimer and Adorno)

* marked by the medium, but not dominated by one medium (Innis, McLuhan, Meyrowitz)

* constitutive of reality, but no integrative program (Beniger, Schmidt)

* technologized, but not a cyberculture (Silver, Rheingold, Gauntlett, Jenkins)

The chapter offers a good introduction to the arc of media studies most relevant to Hepp's thesis.

Chapter 3 introduces the thought of a number of researchers who get at the idea of mediatization in various ways. These include John B. Thompson, Nick Couldry, Sonia Livingstone, Otto Groth, Jesus Martin-Barbero, Roger Silverstone, David Altheide, Robert Snow, Stig Hjarvard, Friedrich Krotz, Bruno Latour, and Raymond Williams. From each he draws one or another aspect of the role and impact of media on society to develop the larger concept. Two important definitions or descriptions anchor the discussion. Quoting Thompson, Hepp accepts an initial concept:

If we focus ... not on values, attitudes, and beliefs, but rather on symbolic forms and their modes of production and circulation in the social world, then we shall see that, with the advent of modern societies in the late medieval and early modern periods, a systematic cultural transformation began to take hold. By virtue of a series of technical innovations associated with printing and, subsequently, with the electrical codification of information, symbolic forms were produced, reproduced, and circulated on a scale that was unprecedented. Patterns of communication and interaction began to change in profound and irreversible ways. These changes, which comprise what can loosely be called the "mediazation of culture," had a clear institutional basis: namely, the development of media organizations, which first appeared in the second half of the 15th century and have expanded their activities ever since. (Thompson, 1995, p. 46, quoted in Hepp, p. 30)

After careful development, Hepp moves from Thompson's "mediazation" to a more nuanced sense of mediatization, this time quoting the work of Friedrich Krotz:

A differentiated and formalized definition of mediatization can and should not be presented here, because mediatization qua definition in a given form is always specific to a particular time and culture, so that any definition has to be based upon historical investigation.

Mediatization as a process cannot be decontextualized, not on the historical, social, and cultural planes. (Krotz, 2007, p. 39, emphasis in original, quoted in Hepp, p. 51)

Mediatization emerges as a social and cultural process, connected to the media and the ways in which media interact with societies.

Chapter 4 builds on this. "Mediatization is ... more a conceptual construct, like individualization, commercialization, or globalization; and to be understood as a panorama of a sustained metaprocess of change" (p. 69). Here, Hepp follows the pattern of introducing the work of various media scholars and drawing on them to flesh out the concepts. Here he examines the ideas of mediatized worlds, networks of communication, and the figurations of communication. The challenge for communication theorists lies in describing such complex realities. This connects to the discussion of Chapter 5 on how various communities and social movements connect to or exist within the media cultures. How does community formation occur within such powerful overarching configurations of media? How does personality emerge or distinguish itself? In this chapter, Hepp considers the ideas of locality and translocality, and territory and de-territorialization, again drawing on a variety of communication and sociological research.

Chapter 6 offers idea on ways to study mediatization. Acknowledging that such a methodological description would require another book, Hepp offers a briefer overview. "Something different can be done here: we can outline a methodological framework for empirical research into cultures of mediatization, and this is what the following seeks to do. As an outline, it will be organized into four phases: the development of theory; decentering; pattern analysis; and, finally, transcultural comparison" (p. 127). The latter point, though only described in outline, lies at the heart of Hepp's way into mediatization--a comparison of various media cultures.

Cultures of Mediatization provides, in a short book, a very comprehensive introduction to an overarching theory of media and society. Just the summaries of the various strands of thought from which Hepp draws the idea of mediatization repay careful study. Each situates the larger history of communication research, showing how the study of communication has developed through time. The book belongs on every advanced media studies syllabus.

As expected, the book contains a reference list and an index.

References

Krotz, F. (2007). Mediatisierung: Fallstudenien zum Wandel von Kommunikation. Wiesbaden: VS.

Thompson, J. B. (1995). The media and modernity: A social theory of the media. Cambridge: Cambridge University Press.

--Paul A. Soukup, S.J.

Santa Clara University

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