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  • 标题:Galician, Mary-Lou. Sex, Love, and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence.
  • 作者:Bosshart, Louis
  • 期刊名称:Communication Research Trends
  • 印刷版ISSN:0144-4646
  • 出版年度:2007
  • 期号:September
  • 语种:English
  • 出版社:Centre for the Study of Communication and Culture
  • 摘要:The main goal of this book is clear from the very beginning: It should dis-illusion its readers!
  • 关键词:Books

Galician, Mary-Lou. Sex, Love, and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence.


Bosshart, Louis


Galician, Mary-Lou. Sex, Love, and Romance in the Mass Media: Analysis and Criticism of Unrealistic Portrayals and Their Influence. Mahwah, NJ and London: Lawrence Erlbaum Associates, 2004. Pp. xxv, 252. ISBN 0-8058-4832-0 (pb.) $49.95.

The main goal of this book is clear from the very beginning: It should dis-illusion its readers!

As the author puts it:
 "False-love" images and scripts of coupleship put pressure on both
 women and men to measure up to media-myth.... Some
 media-constricted unrealistic expectations can lead to depression
 and other dysfunctions, and several can be downright dangerous" (p.
 x). The problem seems to be that "the mass media rarely present
 models of healthy, realistic romance and love. (p. 5)


The dismantling of the all-too-romantic portrayal of love and romance by the media starts with "Dr. Fun's Mass Media Love Quiz" that deals with stereotypes and myths that are perpetuated by the mass media and with the 12 statements of which only the answer "false" is right. Statement Number 12 aims again towards the main goal of the author: "Since mass media portrayals of romance aren't 'real,' they don't really affect you." Since the right answer is "false," the question now is: and how do they affect us?

Sex, Love, and Romance in the Mass Media is divided in two main parts, a first one that deals carefully with terms, concepts, models, tools of analysis, strategies and skills of media literacy (the main purpose of which is "dis-illusioning"), and theories. The second one is empirical in its approach and dissects carefully every single myth of the love quiz. The theoretical part is very comprehensive, sometimes leaving the reader with an embarrassment of richness. Sometimes a slight need for more synthesis can be felt, which on the other hand would save the book from being too redundant in some parts. Very useful is the focus on Robert Sternberg's "Triangular Theory of Love." For him love is made up by three basic components: intimacy, passion, and decision/commitment.

The book starts with a "STOP! Before you begin to read this book, take Dr. FUN'S Mass Media Love Quiz on the next page" (p. vii) and it ends with an epilogue "DON'T STOP! The End Is Where We Start From." It is correct to say that the Cultivation Analysis of George Gerbner did focus too much on violence. After the criticism of Paul Hirsch and Horace Newcomb, the very narrow approach of the early cultivation research has been opened and it is time now to study the impact of media stimuli on different areas of our lives, romantic love included. Empirical research in this field would also benefit from concepts like para-social interaction, transportability (life in as-if-worlds), flow, social comparison, and immersion. From this point of view the book of Mary-Lou Galician is a little bit too Manichean. A very important goal of fictional narratives is to shorten the distance between utopia and reality. To kill our dreams can also be very unhealthy. Children need fairy-tales (Bruno Bettelheim) and so do adults. There are worldwide 340 versions of the Cinderella motif in popular cultures. That means that there is a demand for stories that tell the dream of a better life. It would be much healthier to sensitize people instead of disillusion them. Or shall Harry Potter be banned from the movie because he is highly unrealistic?

From an evolutionary point of view, entertainment is a playing field (plays of illusion, pleasures of fantasy, dream worlds) with more or less serious virtual experiments that deal with the solution of adaptive problems. Entertainment produces realistic and/or utopian ideas of love, success, and security thus corresponding with the need to confront the human condition and show various options, even unrealistic ones. Following audience research in Europe, people are well aware that some portrayals of romance and love can be or are unrealistic. Nevertheless, they enjoy it!

--Louis Bosshart

University of Fribourg--Freiburg
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