On an Old Black and White Photograph As if you'd agreed, at 15, grudgingly, to give up a few precious seconds of sprinting and soaring already halfway through the 50s, to just stand therein dark gym trunks and white, smudged, Converse tennis shoes, your brand-new, blonde flat-top shining in summer sunlight--gripping, near your right hip with both hands, the taped end of a bamboo vaulting pole. You're smiling a cocky smile for the camera, held by Jerry Nyreen, your friend with the wild black hair. Could you, could he have guessed, just before the click, that he'd have no choice but to make you--the one who taught him--the second best Icarus on the block? Your pole's aimed straight down a packed-dirt runway toward a pit dug up with a spade and full of lumber-yard sawdust. In a vacant lot, on a railroad bluff overlooking the Burlington Northern trains heading for places with mythical names like Chicago, Minneapolis, Omaha.
On an Old Black and White Photograph.
Evans, David Allan
On an Old Black and White Photograph As if you'd agreed, at 15, grudgingly, to give up a few precious seconds of sprinting and soaring already halfway through the 50s, to just stand therein dark gym trunks and white, smudged, Converse tennis shoes, your brand-new, blonde flat-top shining in summer sunlight--gripping, near your right hip with both hands, the taped end of a bamboo vaulting pole. You're smiling a cocky smile for the camera, held by Jerry Nyreen, your friend with the wild black hair. Could you, could he have guessed, just before the click, that he'd have no choice but to make you--the one who taught him--the second best Icarus on the block? Your pole's aimed straight down a packed-dirt runway toward a pit dug up with a spade and full of lumber-yard sawdust. In a vacant lot, on a railroad bluff overlooking the Burlington Northern trains heading for places with mythical names like Chicago, Minneapolis, Omaha.