Designs Against Charleston: The Trial Record of the Denmark Vesey Slave Conspiracy of 1822.
NELSON, PAUL DAVID
Designs Against Charleston: The Trial Record of the Denmark Vesey
Slave Conspiracy of 1822, edited with an introduction by Edward A.
Pearson. Chapel Hill: University of North Carolina Press, 1999. xvi, 387
pp. $49.95 cloth.
DENMARK VESEY WAS A SELF-EDUCATED FREE BLACK MAN in Charleston,
South Carolina, who in 1822 organized a slave revolt that, had it
succeeded, would have been the most extensive in the history of the
United States. Born about 1767, perhaps in Western Africa or the Dutch
West Indian island of St. Thomas, Vesey was bought as a slave by a
seafarer, Captain Joseph Vesey, in 1781. Named Telemaque by Captain
Vesey, his appelation later was corrupted to Denmark. Or perhaps he
deliberately chose a new name because he had been purchased in a Danish
colony. He also took Vesey as his surname. After accompanying his master
on a number of voyages, he settled with Captain Vesey in 1783 in
Charleston. In late 1799, he purchased his freedom, paying some $600 out
of $1,500 that he had won in a lottery. He opened a carpentry shop and
seems to have thrived as a businessman, for at the time of his death he
had accumulated an estate worth several thousand dollars. He became a
leader of the Charleston African Methodist Episcopal Church, conducting
worship and discussion classes, and he fathered a number of children by
various slave women.
During the first two decades of the nineteenth century, Denmark
Vesey became dissatisfied with his second-class status as a freedman and
determined that he would relieve the far worse oppressions of slaves in
Charleston. Influenced by the rhetoric of the American and French
Revolutions, familiar with the great West Indian slave revolts of the
1790s, particularly in Haiti, and well-read in antislavery literature,
he planned and organized an insurrection of city and plantation blacks.
Reportedly, he intended to seize weapons from guardhouses and arsenals,
arm his followers, kill every white person that he could lay hands on,
burn the city of Charleston to the ground, free the slaves, and flee to
Haiti. Exhorting his disciples "not to spare one white skin
alive," he told his people that the Haitians would supply the
rebels with adequate military assistance for the task at hand (p. 86).
There may have been as many as 9,000 blacks involved in Vesey's
plans, although scholars dispute this figure. The date of July 14, 1822,
was set for the uprising, but Vesey was betrayed by a house servant and
the time was advanced to June 16. White authorities on the eve of the
outbreak thwarted Vesey's plans, making massive military
preparations to forestall the uprising before it could begin. In the
next two months, Charleston officials arrested 130 blacks, including
Vesey, and put them on trial. In the ensuing court proceedings, Vesey
defended himself well, but he and thirty-four other blacks were
convicted and hanged. Vesey died on July 2, 1822. Thirty-two of his
followers were sentenced to exile.
Edward A. Pearson has edited the trial record of Vesey and his
fellow conspirators and in the process has given to the historical
profession a document of great importance that was heretofore relatively
inaccessible. The transcript is in the collections of the South Carolina
Department of Archives and History and was previously published only
once, in 1822. Although claiming to be a complete trial record, that
version contained omissions and synopses which weakened its
effectiveness. Pearson has worked over the document with great care and
scholarly diligence, providing copious, invaluable editorial footnotes
to aid the reader in deciphering and understanding the record. Also, he
has written an introductory essay to provide further context, giving
biographical information on Vesey and commenting at length on the
economic, social and cultural life of early nineteenth-century
Charleston. In three appendixes, he provides a "conspiratorial chronology," biographical information on the conspirators and
witnesses, and additional documents consisting primarily of extracts
from contemporary newspaper accounts and private letters. His
bibliography of primary and secondary materials, published and
unpublished, is long and impressive.
Pearson's introduction is not as useful as his edited
transcript. Although in many ways sound, scholarly, and useful, it
suffers from two detracting weaknesses. First, Pearson at times
speculates too much about events that formed Vesey's character. His
introductory essay is littered with qualifying words such as
"apparently" and "probably," and he includes
information about such things as voodoo without any evidence that they
had anything to do with Vesey. Second, he is too enamored of modern
tendencies (fads?) in scholarship that emphasize "models" and
unclear jargon. He unnecessarily borrows from Antonio Gramsci's
formulation, the "organic intellectual," Paul Gilroy's
discussion of "micro-systems of linguistic and political
hybridity," and Michael P. Johnson and James L. Roark's
belaboring of the obvious about the nature of creative work. He uses
words like "discourses," "resonance," and
"counter-appropriation" in ways that obscure rather than
clarify his meaning. He concludes his essay with a particularly
clangorous statement about how Vesey and his fellow conspirators
"collectively fashioned a new discourse into a compelling ideology
of rebellion" (p. 164).
PAUL DAVID NELSON Berea College