Cypriote Archaeology in Goteborg: Papers Presented at a Symposium on Cypriote Archaeology held in Goteborg 20 May 1998
KNAPP, A. BERNARD
Cypriote Archaeology in Goteborg: Papers Presented at a Symposium
on Cypriote Archaeology held in Goteborg 20 May 1998. Edited by KARIN H.
NIKLASSON. Studies in Mediterranean Archaeology and Literature,
Pocket-book 157. Jonsered, Sweden: PAUL ASTROM'S FORLAG, 1999. Pp.
109.
Swedish archaeologists have been intimately involved in the
archaeology of Cyprus since the earliest decades of the twentieth
century A.D. Archaeological fieldwork undertaken by the Swedish Cyprus
Expedition (Einar Gjerstad and Erik Sjoqvist being its best known
members) was fully embedded in a chronological, culture-historical
approach, which was followed closely by other European (French,
Cypriote, British), Australian and American teams and individuals.
Following the Second World War, the archaeology of Cyprus continued in
much the same mode, and an impressive series of publications offered
detailed studies of architectural traditions, lithic sequences, pottery
styles, metallurgical types, and production techniques. In the wake of
processual developments in Anglo-American archaeology during the 1960s,
British and French prehistorians introduced a multidisciplinary,
eco-environmental approach to archaeology on Cyprus. Despite the level
of international, multidisciplinary input, however, the culture-histori
cal approach continued to prevail in Cypriot archaeology, even if one
could point to some processual or postprocessual exceptions. Most
archaeologists who read the Journal of the American Oriental Society
would no doubt concur that culture history forms the basis of any viable
approach to material culture, but archaeology does not consist solely of
description and classification. And yet, archaeologists working on
Cyprus often demonstrate an aversion to the use of theory and consider
social theory as little more than palaeopsychology.
One of the most prominent post-war Swedish archaeologists working
on Cyprus was Paul Astrom, who became Professor of Ancient Culture and
Civilization at the University of Goteborg in 1969. Astrom, a culture
historian to the core, founded a major monograph series dealing
primarily with Cypriot archaeology (Studies in Mediterranean Archaeology
[SIMA] and its companion "Pocket-book" series, of which the
volume under review is no. 157). Astrom retired from his post in 1993
but continues actively to publish the SIMA series. In the volume under
review, Astrom himself provides a five-page, narrative snapshot of most
SIMA publications, although the standard promotional list following the
last page of the book is more complete, and not much less informative.
Of the seven papers published in this slim volume, Astrom has written
two, the second of which is a ten-page contribution of several new finds
from the site of Hala Sultan Tekke Vyzakia, where Astrom has directed
excavations since 1971. Both these chapters look l ike
"fillers," and indeed one may wonder why the editor
(Niklasson) decided to publish these papers from a one-day symposium
held in the Department of Classical Archaeology and Ancient History at
Goteborg University. At least we need not question one thing:
culture-historical archaeology still reigns supreme in Goteborg.
The papers may be summarized briefly: Kristina Alveby's study
of the Middle Chalcolithic lithic tool industry of Cyprus adopts a
"use-and-consumption" perspective and thus immediately
establishes itself as the only non-culture-historical paper in the
volume. Her theoretical concerns involve production, specialized crafts,
demand and consumption, as well as the "secondary products
revolution" (somewhat out of place in the mid-fourth millennium
B.C. on Cyprus). Despite the paper's theoretical interest, the
author does not seem to be fully aware of the breadth of literature on
the topics she discusses, nor does the heavy theoretical hand sit well
with the light treatment of empirical data. The second study, by Peter
M. Fischer (an added contribution not presented in the original
conference) deals with Cypriot pottery imported to the Jordanian site of
Tell Abu al-Kharaz, which Fischer has been excavating over the past
decade. Following several pages describing the few Cypriot sherds found
at Kharaz in elaborate detail, Fischer concludes that White Slip pottery
was imported from Cyprus to fill the demand created by (Levantine)
Chocolate-on-White wares, and that Base-ring ware became popular because
of its metallic properties.
The next chapter, by Albert Leonard Jr. (whose month-long visit to
Goteborg prompted the conference) is an "update" to his
MycIndex project, which stems originally from a catalogue appended to
his 1976 Ph.D. dissertation. Leonard's project has provided in
database format (FileMaker Pro) a continually growing catalogue of
Aegean Bronze Age pottery found throughout the eastern Mediterranean.
This very useful database contains information on Arne Furumark's
(another Swedish archaeologist) Mycenaean pottery shapes and motifs, the
site where the pottery was found, the period, the main reference
and--wherever the shape or motif has been scanned in--also an
illustration. This brief report contains very useful information about a
resource that should have wide relevance for anyone working on Aegean
pottery in the Levant and on Cyprus, but surely this information would
be more readily available and easily accessible to interested scholars
if it were provided on the web.
Kjell Malmgren's paper treats in some detail the White Slip
pottery from the 1899 British excavations at Klavdhia Tremithos, also
the subject of his forthcoming Ph.D. dissertation at Goteborg
University. Based on the intricate design patterns of White Slip
pottery, Malmgren suggests possible regional interconnections between
Klavdhia, Hala Sultan Tekke, and Enkomi. The final paper, by the editor,
is presented as a two-page abstract: it considers the historical
implications of Late Cypriot III mortuary customs, those of the last
phase of the Bronze Age and a time of turmoil throughout the eastern
Mediterranean. Niklasson explains that she has only provided an abstract
because the contents of her paper will "soon be included in a
monograph on the same subject in the SIMA Pocket-book series." But
why publish such a brief abstract when another few pages would at least
have given some sense of her material and her approach, and at the same
time would have been comparable to the other brief papers in the volume?
Indeed one must ask why this volume was published at all. Given the
subject matter, it is sure to find a limited readership, and the amount
of new information on offer is strictly limited. Most of the studies
have a very limited bibliography, heavily weighted towards the
author's own work and failing to demonstrate, like the papers
themselves, an awareness of similar problems or issues in other aspects
of Mediterranean, much less world archaeotogy. On the other hand, the
volume is--for the most part--very nicely produced, the exception being
the reproduction of black and white prints (especially in articles by
Malmgren and Leonard). And most Cypriot archaeologists will certainly
find the empirical data of some value: culture-historical means for
culture-historical ends.