摘要："Early music" is the term generally accepted for the study and presentation of pre-modern and early modern European musics, with special attention to period performance practices including Gregorian chant, Josquin, Monteverdi, Vivaldi, the Bach clan, Porpora, and Handel. The list goes on up through early Beethoven, though claims have been staked as far forward as Schoenberg (Kenyon 1988). Issues of cultural representation or, more importantly, mis-representation, rarely arise with this repertoire: the marketing of concerts, artists, and recordings remains typically and unambiguously Eurocentric.
