摘要：The “luz no usada” that appears in fray Luis de León’s ode A Francisco de Salinas , is one of the most celebrated expressions in all his lyrical production. Usually studied by the critics connected with Genesis’s fiat lux , in this paper we’ll try to supplement this reading with some of the most important facets of the Renaissance light’s poetic , represented by the florentin philosopher Marsilio Ficino, relating this light’s appearance with the poem’ s “música estremada”. To this end, we’ll supported by some of the main Renaissance neoplatonism’s premises.
关键词：Fray Luis de León;Ficino, light;music, neoplatonism.;Fray Luis de León;Ficino;luz;neoplatonismo;música.
