摘要：This paper is based on a summer of fieldwork in Southern Transylvania, Romania. I will reflect on my experiences of making an ethnographic film that explores ethnicity and identity of the Transylvanian Saxons. I will argue that ethnographic filmmaking requires a visual engagement with the research theme, and that the notions of work, belonging, and time/change are ways in which Saxon ethnic identity is embodied and reproduced aesthetically.
