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  • 标题:Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge.
  • 本地全文:下载
  • 作者:David H. Fleming
  • 期刊名称:Film-Philosophy
  • 印刷版ISSN:1466-4615
  • 电子版ISSN:1466-4615
  • 出版年度:2013
  • 卷号:17
  • 期号:1
  • 页码:402-423
  • 语种:English
  • 出版社:Film-philosophy
  • 摘要:In his temporal philosophy based on the writing of Henri Bergson, Gilles Deleuze describes duration ( durée ) as a becoming that endures in time. Reifications of this complex philosophical concept become artistically expressed, I argue, in the form and content of South African artist William Kentridge's series of 'charcoal drawings for projection.' These exhibited art works provide intriguing and illuminating 'philosophical' examples of animated audio-visual media, which expressively plicate distinct images of movement and time. The composition of Kentridge's films at once illuminate a regime of animated 'movement-images' that can trace their aetiological roots to classical forms of film and animation, whilst concurrently folding in complex philosophical expressions of time as duration which invoke the crystalline 'time-image' concepts of philosophers such as Bergson and Deleuze, as well as literary authors like Marcel Proust. Over and above these co-existent regimes of movement and time, Kentridge's artistic technique and exhibition practices further expose a multifarious 'geology' of other embedded time lines that serve to enrich/complicate these temporal expressions. I argue here that diegetic time- and movement-images ostensibly co-exist alongside different 'archaeologies' of time relevant to the context and creation of the artworks. For this reason, the animated drawings formulate intriguing artistic/philosophical expressions that muse on the nature of matter, memory, time and space.
  • 关键词:Kentridge;Deleuze;Bergson;Time;Space;Duration;Crystal-images;Time-Images;Movement-images;Animation
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