摘要:This paper examines BDSM as performance as well as performative aspects of Shakespeare's Titus Andronicus and imagines a production of the play informed by the dynamics of BDSM.
其他摘要:This paper examines BDSM as performance as well as performative aspects of Shakespeare's Titus Andronicus and imagines a production of the play informed by the dynamics of BDSM.