摘要：This study analyses the practice of theater acting since the theoretical considerations found in texts of Vygotski and the Bakhtin circle. In this perspective, art is conceived as a social form of relationship between the author and the viewer fixed in a work of art, in a certain time/space. In the art of acting, the actor assumes an exotopic position in relation to the character, approaching and distancing him to define its aesthetic boundaries.
关键词：Theater;Bakhtin circle;Vygotski;Teatro;Círculo de Bakhtin;Vygotski
