摘要：The first scientific investments that happen in the field of the imaginary, when the creativity is valued, come from studies that provoke deformations in the Real by the production of illusions. In the shore of illusion and of creativity - therefore, of the imaginary -, this work is structured in the horizon of the corporal conscience, of the biological, psychological and social man. The used method was that of analysis of theoretical narrative. Some "psychoanalytic" texts whose references are turned towards the understanding of the basic theoretical concepts necessary for the work, such as unconscious and imaginary, were privileged. The sustained theory is based on the understanding that the body that practices regular physical activity gets in touch with something that provides a slight well-being, a state of conscience that needs to be constantly met again, re-elaborated. The body in movement is a fruit of the unconscious marks that express themselves, fundamentally, through the imaginary.
