出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：This article discusses the presence of the illustration on the press from the concepts of hybridization and complex image, using the phenomenology of aesthetic experience and hermeneutics. Conceptualizes elements of language iconographic and printing processes and discusses links between aesthetic and complex images hybridizations, the confrontation between the meaning contained in the aesthetic object and meaning produced in aesthetic perception, by a shift from mediummessage to the cultural mediations that characterize the processes of reception. The theoretical and methodological formulations of Josep Maria Català and Néstor García Canclini are here mainly present.
