期刊名称：CALLE14: revista de investigación en el campo del arte
印刷版ISSN：2145-0706
出版年度：2011
卷号：4
期号：4
页码：10-25
出版社：Universidad Distrital Francisco José de Caldas
摘要：In this article, from the author’s personal experience, the double face of modernity and its rhetoric it’s shown, both as salvation narrative and as coloniality, in which context the cognitive operation of colonization of aesthesis by aesthetics is given. Following it, diverse trajectories are shown in the art works of Fred Wilson, Pedro Lasch and Tanja Ostojic, who carry out performative processes in which their decolonial character becomes visible. These works force the decolonization of history and art criticism, toward the construction of decolonial aesthesis and subjectivities.
