出版社：Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
摘要：The peculiarity of the art of Francisco Toledo (1940) - considered one of the greatest living Mexican artists - has consisted, since its origin, on the recover of the prehispanic culture as an aesthetic and ethical resource, in dialogue with international contemporary culture. A dialectic that is analysed throughout this text, including particularly problematic aspects of his biography, beginning from his identification with the pre Hispanic culture. It is therefore a bird's eye study, which selects certain founding characteristics of the artist and his work.
