摘要：The work discusses the relationship of the characters with the landscapes of filmic city of O Abismo Prateado (Karim Aïnouz; 2013), a hybrid composed of buildings, sand and sea. The characters are exposed images of nature (beach) and urban intervention (housings), enclosing Violet (Alessandra Negrini) in the non-place, a road character, that under Marc Augé (2007) deals with passing places. Investigating as landscapes framed by the motion picture screen create metaphors and interactions with the characters between the demand of reason, the concrete human buildings and the sea of emotions, the beach.
