摘要：The discovery of a painting thought to be lost, described by Juan Agustín Ceán Bermúdez in one of his earliest writings, permits the study of the relevant years he spent in Seville during his youth (1768-1778). It also leads to considerations concerning the invention of the imaginary artist to whom he attributed the painting, the controversial Francisco Frutet.
关键词：Juan Agustín Ceán Bermúdez;Francisco Frutet;Gaspar Melchor de Jovellanos: Frans & Hiëronymus Francken;Juan Agustín Ceán Bermúdez;Francisco Frutet;Gaspar Melchor de Jovellanos;Frans y Hiëronymus Francken
