出版社：Canadian Academy of Oriental and Occidental Culture
摘要：Willa Cather (1873-1947) is an American novelist, short story writer, essayist, journalist and poet. She is widely acknowledged as one of the foremost American authors in the 20 th century. Cather’s unique observations of the American West find full expression in her prairie trilogy, composed of O Pioneers! (1913), the Song of the Lark (1915), and My Ántonia (1918). However, the three novels have got unequal attention from both international and domestic scholars. There are much more studies on O Pioneers! and My Ántonia than The Song of the Lark . The literary approaches already in use are mainly feminism and ecocriticism. But the author of the thesis holds that the heart of them is about the material and spiritual realities of those immigrants in the American West in the dawn of the 20 th century, thereupon, it is reasonable to put them together for a comparative study. To have a better understanding of the transnational phenomena observed by Cather, we can adopt Diaspora criticism to find out what Cather wants to convey to us: the cultural logic of beyond, against the singularities of identities and of perspectives. Hopefully, approaching Cather’s prairie trilogy from the perspective of Diaspora criticism will shed some new light on her novels.
其他摘要：Willa Cather (1873-1947) is an American novelist, short story writer, essayist, journalist and poet. She is widely acknowledged as one of the foremost American authors in the 20 th century. Cather’s unique observations of the American West find full expression in her prairie trilogy, composed of O Pioneers! (1913), the Song of the Lark (1915), and My Ántonia (1918). However, the three novels have got unequal attention from both international and domestic scholars. There are much more studies on O Pioneers! and My Ántonia than The Song of the Lark . The literary approaches already in use are mainly feminism and ecocriticism. But the author of the thesis holds that the heart of them is about the material and spiritual realities of those immigrants in the American West in the dawn of the 20 th century, thereupon, it is reasonable to put them together for a comparative study. To have a better understanding of the transnational phenomena observed by Cather, we can adopt Diaspora criticism to find out what Cather wants to convey to us: the cultural logic of beyond, against the singularities of identities and of perspectives. Hopefully, approaching Cather’s prairie trilogy from the perspective of Diaspora criticism will shed some new light on her novels.
