期刊名称：Universitatea "Ovidius" Constanta. Analele Stiintifice. Seria Filologie
印刷版ISSN：1224-1768
出版年度：2016
卷号：XXVII
期号：1
页码：41-49
出版社：Ovidius University Press
摘要：This paper sets out to trace the slow emancipation of critical discourse in Shakespeare criticism in Romania fro m the dominance of Soviet socialist realism in the fifties and sixties. The first sectio n refers to the difficult fifties and the limited ground of independence and negotiation that Ro manian academics managed to gain. The second part makes reference to two turning points in the theatre and theatre criticism. Like elsewhere in the socialist bloc, a wedge was gradually driven between Shakespeare studies and Shakespeare performances. The paper, ho wever, intends to suggest that bridges between new approaches in t he theatre and in critical readings of Shakespeare were established eventually, yet they didn't occur in the narrowly professional area of academic studies, but rather in that of cultural journalism.
关键词：Shakespeare socialist realism; performances; studies; Eastern Europe; ; Romania
