摘要：This article analyses Gabiden Mustafin’s novel «Eyewitness», which is known to be the highest example of autobiographical genre in Kazakh literature. The author touches upon the range of problems, concerned with the Soviet period, writer’s fate, art analysis, considering conclusions about A. Fadeev’s oeuvre, published later, the novel “Eyewitness” by Gabiden Mustafin.
Loading...
