出版社：Núcleo de Pesquisa em Informática, Literatura e Linguística (NuPILL)
摘要：This paper aims to analyze the communicational contract of a digital theatrical criticism. In order to achieve this, we start with postulates from the Semiolinguistic Theory, mainly the notions of Subjects of language and enunciative strategies presents in Charaudeau (2001 [1984, 2005 [1983] and 2015 [1983]). We also avail ourselves of thinker of theatrical criticism, such as Garcia (2004) and Small (2015), as well as theorists which reflect about the communication modifications brought by new technologies, such as Lévy (1999) and Castells (2000). Through the undertaken analysis , it was possible for us to verify that the subjects produce language acts operating in the niche of the professionals of the theater and of the critical writing, in the theatrical public, and in students or inquisitors by these two areas. We accomplish that the communicant subject from the corpus under study presents itself as a gatewatcher (BRUNS, 2003) and that the enunciator of the investigated digital text is understood as an ignorant theatrical critic (SMALL, 2015).
关键词：Theatrical Criticism;Semiolinguistics;Cyberspace;Network Society;Subject;Crítica Teatral;Semiolinguística;Ciberespaço;Sociedade Em Rede;Sujeito
