标题：Aportaciones al estudio de la música en la santa capilla de San Andrés de Jaén durante el siglo XVI: dos juegos de versos para ministriles de Gil de Ávila (fl. 1574-1597)
出版社：Consejo Superior de Investigaciones Científicas
摘要：2015 marks the 500th anniversary of the foundation in Jaén of a major confraternity attached to the parish church of San Andrés and known as Santa Capilla. What differentiates this brotherhood of others created in Spain at the time is the bylaws established presence of a music chapel in order to exalt its religious celebrations. This article offers a panoramic study of the Santa Capilla as a musical institution during the 16th century, based on new archival findings. The work includes an analysis of models of patronage that its founder, the Apostolic Protonotary Gutierre González Doncel, might have in mind; a critical review of the musical activities of singers, instrumentalists and chapelmasters at the service of the institution; some hypotheses about the repertoire used; and a specific study, accompanied by the critical edition, of two interesting sets of verses for minstrels by Gil de Ávila, the only pieces preserved by the only 16th-century chapelmaster of the Santa Capilla with known musical production.
其他摘要：2015 marks the 500th anniversary of the foundation in Jaén of a major confraternity attached to the parish church of San Andrés and known as Santa Capilla. What differentiates this brotherhood of others created in Spain at the time is the bylaws established presence of a music chapel in order to exalt its religious celebrations. This article offers a panoramic study of the Santa Capilla as a musical institution during the 16th century, based on new archival findings. The work includes an analysis of models of patronage that its founder, the Apostolic Protonotary Gutierre González Doncel, might have in mind; a critical review of the musical activities of singers, instrumentalists and chapelmasters at the service of the institution; some hypotheses about the repertoire used; and a specific study, accompanied by the critical edition, of two interesting sets of verses for minstrels by Gil de Ávila, the only pieces preserved by the only 16th-century chapelmaster of the Santa Capilla with known musical production.
