摘要：Theme/Objective: This research sought to understand the meanings attributed to work by circus performers. Methodology: The research followed a qualitative approach of ethnographic feature. The participating observation and semi-structured interviews were the main data collection methods. Results: The circus performers identify themselves with the work they do, especially the possibility of traveling and the professional knowledge produced in their own living experience, marked by the strong affective bonding. The activities is characterized by autonomy, creativity, and freedom to negotiate their needs and participate in the decision-making. However, the work is done informally, making the access and guarantee of labor and social security rights precarious. Conclusions: The circus establishes itself as a social and labor living space, not providing a clear distinction between free time and work, social relationships, professional and families. This way of living (with) allows, despite the difficulties, the perspective of giving continuity to the “circus magic” by their work.
其他摘要：Theme/Objective: This research sought to understand the meanings attributed to work by circus performers. Methodology: The research followed a qualitative approach of ethnographic feature. The participating observation and semi-structured interviews were the main data collection methods. Results: The circus performers identify themselves with the work they do, especially the possibility of traveling and the professional knowledge produced in their own living experience, marked by the strong affective bonding. The activities is characterized by autonomy, creativity, and freedom to negotiate their needs and participate in the decision-making. However, the work is done informally, making the access and guarantee of labor and social security rights precarious. Conclusions: The circus establishes itself as a social and labor living space, not providing a clear distinction between free time and work, social relationships, professional and families. This way of living (with) allows, despite the difficulties, the perspective of giving continuity to the “circus magic” by their work.
