摘要：Regardless of its fragmentary and ruined condition, the painting find described in this article provides a small reference to what existed in the interiors of the Õisu Manor and affirmation of the fact that, as expected, the interior design corresponds to the splendour of the manor’s exterior form. The complete design of the room admittedly cannot be reconstructed on the basis of what has survived, yet the work of conservators has made it possible to read that which has survived. The analogies provided in the article and the imagination of the spectator make it possible for each individual to create his/her own picture of what the original whole of the spatial design once looked like.
其他摘要：Regardless of its fragmentary and ruined condition, the painting find described in this article provides a small reference to what existed in the interiors of the Õisu Manor and affirmation of the fact that, as expected, the interior design corresponds to the splendour of the manor’s exterior form. The complete design of the room admittedly cannot be reconstructed on the basis of what has survived, yet the work of conservators has made it possible to read that which has survived. The analogies provided in the article and the imagination of the spectator make it possible for each individual to create his/her own picture of what the original whole of the spatial design once looked like.
