期刊名称：Linguæ & - Rivista di lingue e culture moderne
印刷版ISSN：1724-8698
出版年度：2018
卷号：16
期号：2
页码：13-27
DOI：10.7358/ling-2017-002-mart
语种：English
出版社：LED Edizioni Universitarie
摘要：This paper investigates the connections between French Poetic Realism of the 1930s and American film noir and argues that their significance has been understated. The goals of this study are three-fold. It begins with an examination of the treatment of Poetic Realism in the most significant critical views of the genealogy of American film noir; then several films are analyzed in some detail to reinforce the connections and contrasts in specific French and American films. The paper concludes with several proposals about why the role of Poetic Realism has been so often presented as relatively insignificant.
关键词：film noir; French Poetic Realism; réalisme poétique; Jean Renoir; Marcel Carné; Fritz Lang; Jean Gabin; German Expressionism; émigré filmmakers; Post-World War II film—USA
