摘要：En este trabajo indagamos el íntimo lazo entre capitalismo, sensibilidad y violencia. Para esto abordamos algunas reflexiones de la pensadora mexicana Sayak Valencia quien ha propuesto el adjetivo “ gore ” para ca - racterizar la forma y el contenido que éste adquiere en zonas fronterizas (concretamente en la ciudad de Tijuana, México). Por nuestra parte consideramos -en tensión con lo que propone la au- tora- que el denominado “capitalismo gore ” no es “subversión” del proceso de acumulación de mercancías descripto por Marx, sino que la violencia es la marca que distingue a estas hoy aparece en diversas zonas de fron- tera es la consideración más cruda del cuerpo humano vuelto mercancía: como parte, pieza, lugar para publicitar el horror de prácticas asociadas al narcotráfico, al comercio de órganos, entre otras “empresas” de nuestro tiempo. Indagar en la forma mercancía hace posible identificar rasgos y dinámicas del violento proceso cuyo botín de guerra es el “sentir” de los actores sociales, cuando el capitalismo ha logrado conformarse como fe perceptual, en el sentido anticipado por Ludovico Silva, durante los años 70.
其他摘要：This paper investigates the close link between capitalism, sensibility and violence. Therefore, some thoughts from the Mexican thinker, Sayak Valencia, who has proposed the adjective “gore” to describe the form and content that this link acquires in border areas, such as Tijuana, México are considered. For our part, we disagree with what the author calls “gore capitalism” because it is not the “subversion” of the accumulation process of commodities that Marx described in El Capital. Instead, we consider that violence is the distinguishing mark of capitalism’s relations of production, since its origins. Therefore, this paper hypothesizes that violence -expressed in specific and particular ways of the socially and historically changing cruelty- supposes a long process that models both the mood and social experiences of the subjects. And it also models what today appears in different border areas- the crudest consideration of the human body turned into a commodity; as a part, as a piece, as a place to advertise the horror of practices related to drug trafficking, organ trade, among other “enterprises” of our times. From our perspective, to inquire into the commodity form makes it possible to identify traits and dynamics of the violent process that holds social actors’ sensitivity as a loot of war, in the time/space of contemporary capitalism, when this has managed to define itself as a perceptual faith, as the Venezuelan author, Ludovico Silva anticipated in the 70’s.
