摘要：Creativity, creation and processes have generated many myths, ranking as the central constituent of the tissue that forms the western thought. The work of New York filmmaker Woody Allen, as many films as numerous texts, make up a truly exponential set of such myths as a benchmark of our contemporary being. A detailed analysis of them, in a dialogue with the main theoretical texts and creativity, will help us to make a review of all the ideas that has been created around artistic creation and Art, as constituting the central referents Western thought and the validity in our present, which will perform the same definition of artistic creation, Art.
