出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：The contribution analyses subversive strategies in the art of women photography of the 20th century with a focus on the examples of Claude Cahun, Cindy Sherman and Ouka Leele. These artists are considered to be key examples of the practice of nomadism. A strategy, as it is intended to demonstrate, which denies traditional conceptions of fixed identities which are substituted by a strategy of ironic play with masks and identities deconstructing the models and myths of patriarchal discourse and its heteronormative gaze.
其他摘要：The contribution analyses subversive strategies in the art of women photography of the 20th century with a focus on the examples of Claude Cahun, Cindy Sherman and Ouka Leele. These artists are considered to be key examples of the practice of nomadism. A strategy, as it is intended to demonstrate, which denies traditional conceptions of fixed identities which are substituted by a strategy of ironic play with masks and identities deconstructing the models and myths of patriarchal discourse and its heteronormative gaze.
