出版社：Consejo Superior de Investigaciones Científicas
摘要：The aim of the present article is to confirm the operativeness of the notion of autofiction with regard to artistic manifestations other than the novel, especially the cinema and the theatre. These productions (with their particularities) raise new challenges for the study of the author’s fictional representation: the problematic identification between author, director, actor and character (since this identity is not always complete or exact), and also the rhetorical procedures particular to its spectacular dimension (which appeal not only to the image but also to the word) open unexplored paths for reflection.
其他摘要：The aim of the present article is to confirm the operativeness of the notion of autofiction with regard to artistic manifestations other than the novel, especially the cinema and the theatre. These productions (with their particularities) raise new challenges for the study of the author’s fictional representation: the problematic identification between author, director, actor and character (since this identity is not always complete or exact), and also the rhetorical procedures particular to its spectacular dimension (which appeal not only to the image but also to the word) open unexplored paths for reflection.
关键词：Autofiction;Genre Theory;Cinema;Theatre;autoficción;teoría de los géneros;cine;teatro
