出版社：International Society for the Study of Pilgrimage Art
摘要：Arnolfo di Cambio’s funerary monument to the French Cardinal Guillaume DeBraye in Orvieto’s church of San Domenico, finished in 1282, is a masterpiece of latermedieval Italian art (Fig. (1).1 “[S]et[ting] a precedent for the design of later Tuscanmonuments,” its history and study has been complicated.2 It was removed from itsoriginal position in San Domenico in 1680, returning only in 1934 with less-thanaccuraterestorations and reconstructions.3 Further investigations and restorations,undertaken in the 1990s, led to the discovery by Angiola Maria Romanini that at the peakof the monument was a late-antique sculpture only slightly reworked by the hand of
