摘要：This article considers the interface as the physical interaction of human body and technology inspired by the theories of Maurizio Lazzarato, Brian Massumi, and Anna Munster. Through artworks by VALIE EXPORT (Adjunct Dislocations II) and Jette Gejl Kristensen (Hyperkinetic Kayak) it examines how bodies and advanced technology together perform real-time interfaces in concrete spaces launching complex events of affective encounters. Bodies and real-time interfaces: in video performance and interactive digital 3D installation art by VALIE EXPORT and Jette Gejl Kristensen All authors Ulla Angkjær Jørgensen https://doi.org/10.3402/jac.v4i0.18149 Published online: 15 June 2012 Display full size Ulla Angkjær Jørgensen is Associate Professor of Art History, PhD, at the Norwegian University of Science and Technology in Trondheim. Her research interests focus on twentieth-century art, contemporary art, visual culture, new media, feminism, and gender perspectives on art history. She has published extensively on these subjects. She is currently a participant in two Norwegian research council projects, Conflicts and Negotiations on gender and valuation in art and literature, and The Sámi Art Project. Latest publication, «Håkki at Home: the Remediation of a Local Place». IN (eds) B. M. Stavning Thomsen & K. Ørjasæter Globalization Art. Negotiating Place, Identity and Nation in Contemporary Nordic Art. Aarhus: Aarhus University Press, 2011.
关键词：interface ; body ; video performance ; interactive digital 3D installation ; real-time ; VALIE EXPORT ; Jette Gejl Kristensen
